Lavventura (1960) directed by Michelangelo Antonioni is a film about boredom. Boredom of the Italian bourgeoisie. Ostensibly a mystery and a detective story it depicts the emptiness of the lives of a group of rich Italians as they go through their daily lives striving to find something to stave off their deadly ennui. Usually they do this through sexual peccadillo and intrigue.
Albert Camus in his celebrated essay on the Myth of Sisyphus posited that there are only two valid philosophical questions: 1) in the face of the absurdity of existence and a life devoid of meaning should I commit suicide? 2) if no, the how do I overcome ennui? This theme is fully explored in L’Aventurra. While Camus says that in a life devoid of meaning we must give our lives meaning by our our own actions the characters in this film are merely going through the paces of living and relieving their boredom in the most meaningless way possible. In in the end they are mere empty shells truly devoid of any meaning.
The group of wealthy Italians head out on a yachting trip to a deserted volcanic island in the Mediterranean. When they are about to leave the island, they discover that Anna (Lea Massari) has disappeared. Sandro (Gabriele Ferzetti) , who is Anna’s fiance and Claudia (Monica Vitti) , Anna’s friend, try without success to find her. While looking for Anna Claudia and Sandro develop an attraction for each other. When they get back to land, they continue the search with no success. Sandro and Claudia proceed to become lovers, betraying the missing Anna. They then search the Italian countryside and various cities in search of her and have an adventure and fling of their own while doing so.
Beyond the meaning of the film there is there is the theatricality and cinematic quality of the camera work which serves to support the themes of the movie. Antonioni is known for his geometric compositions, static camera, and long takes. This is what I especially admire in his films and this one is no exception.
When first viewed by audience at Cannes it was booed. Later it won the Jury prize and has become acclaimed as a masterpiece.
I rate this film 8/10.