Movie Review

Featured

Poor Things (2023)

/ Benn Bell / 3 Comments

Movie review

Poor Things is a cross between Frankenstein and Alice in Wonderland. One of the most original and freshest films I have seen in a long while. Emma Stone is a wonder as Bella Baxter. She fearlessly portrays the evolution of the creature animated by the mad scientist Dr. Godwin Baxter, played brilliantly by Willem Defoe. Mark Ruffalo shines as the nefariously debauched lawyer Duncan Wedderburn who whisks Bella away on a journey across the continents only to be quickly ditched by her as she outgrows him.

The story has as many twists and turns as a rabbit hole as it depicts Bellas’s evolution and sexual awakening. Poor Things is a feminist tale writ large.

Visually stunning sets and costumes are a feast for the eye that combines unusual Victorian features with a sci-fi futuristic look that dazzles.

Directed by Yorgos Lanithmos, who brought you The Lobster and The Killing of a Sacred Deer. This guy is quickly becoming one of my favorite directors.

This one will be hard to beat. I give it my highest rating. Definitely the best movie in 2023 in a field of hot competitors. Best seen on the big screen.

Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles (1975)

/ Benn Bell / 3 Comments

Movie Review

Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles (1975)

Extraordinary film exceedingly slow but fascinating to watch. In fact, you can’t seem to take your eyes off it while waiting for something to happen. To say Jeanne Dielman lives a life of deadly routine would perhaps give too much away. I loved the use of the static camera as she walked in and out of the frame turning lights on and off as she went from room to room. There is one moment of stark reality which brings one back to one’s senses and brings unity to the entire affair. An unusual film, but a must-see, for all film buffs.

OPPENHEIMER

/ Benn Bell / 5 Comments

Film Review

“Prometheus stole fire from the gods and gave it to man. For this, he was chained to a rock and tortured for eternity.”
“I am become death, the destroyer of worlds”
These are two tag lines from Christopher Nolan’s excellent Bio-pic, Oppenheimer, which I saw yesterday. Perhaps the best and most important film made in the last 100 years That is to say, ever! Must see in IMAX! Highest quality, both for sound and visuals. It was like being on acid without the acid. The acting was superb. Cillian Murphy was excellent as Oppenheimer and Robert Downey Jr. gave perhaps the best performance of his career. One should never forget two things. There are warring nations on Earth right now that have nuclear weapons capable of destroying the world and wiping out civilization. And the other thing is The United States is the only country in the world to drop an atomic bomb on another country. The targets were cities populated by civilians. It is debatable whether this heinous act saved lives or ended the war. But one thing for sure is that tens of thousands of people were instantaneously incinerated and thousands more died of radiation poisoning. This is a heavy burden to carry as an American and as Oppenheimer himself said, we have blood on our hands. Go see this movie!

Is that a Dagger I See Before Me?

/ Benn Bell / 5 Comments

The Tragedy of Macbeth (2021)

Denzel Washington and Frances McDormand in “The Tragedy of Macbeth,” Courtesy of Apple/A24

Macbeth, directed by Joel Coen and shot entirely on a sound stage, was certainly a sight to behold. It was filmed in luscious black and white giving the movie an instant classic look and taking the viewer out of the realm of reality and plunging them straight into the surreal and pathological world of the Thane of Cawdor.    

This was Joel’s first foray into film without his brother Ethan at his side and what a miracle of rare device it was. With his emphasis on camera angles, close-ups, medium shots, long shots, and long and dark shadows, I was reminded of past movies of film noir and German expressionism, such as the films of F. W. Murnau, Fritz Lang, and Orson Welles. The aspect ratio of 1.37:1, almost square, recalls the classic films of old.

The performances by all the actors were uniformly excellent. Frances McDormand put in a very solid performance as Lady Macbeth. One might quarrel with her interpretation but really, I don’t see how it could be improved. I thought Denzel Washington excelled in his role as Macbeth and both actors played well together. I loved what Coen did with the weird sisters, all three played by the diminutive Kathryn Hunter.

The overall piece was visually stunning, full of sound and fury, and filled with an abundance of symbology.

A very satisfying cinematic event. Highly recommend!

Nomadland (2020)

/ Benn Bell / 4 Comments

Movie Review

Nomadland (2020)

Directed by Chloe Zhao, starring Frances McDormand, David Strahairn, Linda May

This is a movie about America. There are two Americas. The haves and the have nots. This about the have nots who choose a life on the open road and freedom. It is not a life I would choose but it is a fascinating portrait of those who do. They are called American Nomads.

Frances McDormand turns in another brilliant but understated performance as Fern, the strong and determined woman, who takes to the open road after she loses her job at US Gypsum, a plant where she and her husband, who has recently died, had worked for years. The plant closing in Empire, a small town in Nevada, causes the economic collapse of the town. This is the sad reality of so many small towns in America.  

Fern sells her stuff and buys a van and takes to the road searching for work. She outfits the van to live in. She first takes a seasonal job at an Amazon fulfillment center through the winter. Whenever I buy anything at from Amazon, I cringe a little bit thinking of the workers at the fulfilment center, although Fern seems to thrive in this environment. A co-worker invites Fern to visit a desert winter gathering in Arizona organized by Bob Wells, which provides a support system and community for fellow nomads. At the gathering, Fern meets fellow nomads and learns basic survival and self-sufficiency skills for the road.

Fern later takes other jobs down the road: an RV camp host, a worker in a beet harvest, and a worker in a fast-food restaurant. It is a tough life living at the margins. She continues to run across some of the other nomads she has met along the way as she continues her travels and they become her friends and kind of a family or tribe. She does have a chance to settle down a couple of times along the way but continues to choose a life on the road to be free and independent if, lonely.

There is not much of a dramatic story here, more of a character study and a documentary on the nomadic existence in America. Even if we can’t identify with her way of life we can empathize with her very human feelings of loneliness and her desire to be free. As Bob Wells so aptly put it, “I’ll see you down the road.”

Judas and the Black Messiah (2021)

/ Benn Bell / 6 Comments

Movie Review

LaKieth Stanfield in Judas and the Black Messiah

Directed by Shaka King, starring: Daniel Kaluuya, LaKief Stanfield, Jessie Plemons.

Judas and the Black Messiah (2021) is an important movie about a chapter of the Black Panthers in Chicago and the charismatic leader who led it, Fred Hampton. Part documentary and part bio-pic it delivers a history lesson on that volatile period in America when race relations were at an ebb. It is an interesting juxtaposition of events to the events happening today when once again the tension between the races is at a snapping point. The organization Black Lives Matter draws eerie parallels to The Black Panther Party.

The Messiah in this case is Fred Hampton, played by Daniel Kaluuya in a resplendent performance. Two other black messiahs who came before him were scarified on the altar of white supremacy, Martin Luther King and Malcom X. His betrayer, or the Judas of the title, is FBI informant William O’Neal (LaKieth Stanfield) who infiltrated the Black Panthers and gained the trust of Hampton. It was O’Neal who provided the layout of the apartment to the FBI which was crucial information that led to his assassination by the FBI and the Chicago police.

When law enforcement entered the apartment on Monroe Street where Fred was sleeping guns blazing, I was put in mind of the Breonna Taylor case where Louisville police officers entered her apartment while she was asleep on a “no knock” warrant and assassinated her. Police brutality and extra-judiciary killing continue to be a problem for the black community to this day.

Fred Hampton’s rhetoric was indeed inflammatory but he never actually declared war on the United States. He merely threatened the status quo. FBI director J. Edgar Hoover wanted get rid of Hampton because  he thought the rise of another black messiah would unify and electrify the militant nationalist movement. Fred Hampton was an upstart crow, but he didn’t deserve to die. The FBI now has other fish to fry with the rise of white nationalism, which poses an even graver threat to American security.

LaKieth Stanfield was excellent as the informant William O’Neal delivering a nuanced performance of an underwritten part. Dominique Fishback as Deborah Johnson, Hampton’s coworker and eventual lover I thought was particularly good and Jesse Plemons as the baby-faced FBI agent who compromised O’Neal into betraying Hampton, played his part with equal parts menace and moral queasiness.

Excellent movie. Highly recommend!

Beau Travail (1999)

/ Benn Bell / Leave a comment

Movie Blurb

Beau Travail (1999) Directed by Claire Denis. Starring Denis Lavant, Michel Subor, and Gregoire Colin. A brilliant retelling of Melville’s Billy Budd, only instead of a British frigate the action takes place in the desert on the Gulf of Djibouti near the Horn of Africa. Instead of sailors the men involved are soldiers in the French Foreign Legion. This is a movie about military discipline, routine, and codes of honor. A new recruit is introduced and tension develops with the second in command. There is not much of a plot or narrative arc but this is an extremely visual film and you get all you need to know from the visual story telling. The photography is spectacular.

There is an unmistakable undercurrent of homoeroticism swirling around just below the surface as Denis directs our gaze to the half naked young men going through their ritualist exercises and bonding together as in a slow moving ballet. It is an examination of military culture and the masculine mystique.

This movie can be seen on the Criterion Channel.

The Painted Bird (2019)

/ Benn Bell / 9 Comments

Movie review

I don’t review every movie that I see, only those that I have a strong reaction to, good or bad. Had I seen The Painted Bird in 2019 when it was first released, it would have jumped to the top of my Top 10 list. As it stands, it is very high on my all-time best film list. A rare bird indeed.

The Painted Bird (2019) is a film by Vaclav Marhoul based on the novel by Jerzy Kosinsky. It runs just short of three hours and is unrelenting in its depiction of the horrors encountered by a young boy as he makes his way across war torn Eastern Europe trying to find his way back home. If it were not for the occasional modern references such as a plane flying overhead, or a vehicle on a road, we would think the action was taking place in villages found in the middle ages.

Central to the story was a starling that was painted white and released back into its flock only to be pecked to death because it was different from the others. This is the analogous to what happened to the boy who was subjected to unimaginable horrors along the way because he was different and didn’t quite fit in and wasn’t from around wherever he found himself to be. And one could say that is true of minor groups not fitting in to larger groups such the Jews of Eastern Europe and in Germany.

This is a movie of cruelty, inhumanity, and bitter truth. It is not an easy watch. As a matter of fact, when the film was shown in Venice large parts of the audience fled the theater. But the film has to be admired for the unvarnished truth it portrays and the artistry and craftmanship that went into its making. The acting is superb by all the participants. All the characters were believable and real. The crisp black and white cinematography by Vladimr Smutny is extraordinary. Each frame is composed as a masterwork of inspired creativity and shades of grey.

I can’t recommend this film to everyone due to its strong content, but it has my rating as an artistic achievement.

The Big Knife (1955)

/ Benn Bell / 9 Comments

Movie Review

The Big Knife poster

Directed by Robert Aldrich, starring Jack Palance, Ida Lupino, and Rod Steiger. Screenplay by James Poe, based on the play by Clifford Odets.

The Big Knife is a movie that defies easy classification. It is billed as a crime picture, a drama, and a film-noir. I would call it more of a melodrama. It is a poison pen piece directed at the cruel and heartless Hollywood system of the time, which, when you think about it, hasn’t really changed by much. At one point the Shelly Winters character says, “I’d rather see a snake than a Hollywood producer.”

The writing is a bit turgid, approaching the Baroque. It is hard to tell where Clifford Odets leaves off and James Poe begins. But I suspect it is Poe, who is doing all the declaiming. Example: “How dare you come in here and throw this mess of naked pigeons in my face.”

Big Knife

Ida Lupino and Jack Palance

It seemed to me to have a strong Homo-erotic undertow. I don’t know, I didn’t see any mention of it in any of the reviews, but it was certainly apparent to me. In the opening scene the Jack Palance character, Charlie Castle, and his personal trainer, Nick, were boxing in the backyard of his plush home in Bel Air. Both were half naked and there was a lot of clinching going on. They were having a lot of fun. Later Nick gives Charlie a rubdown on a massage table in the backyard while Charlie took a meeting with the head of the studio and his henchmen. Lot of sensual rubbing going on. Then, Nick has Charlie turn over on his back and he pours alcohol on his chest and belly and continues to rub. All the while Charlie is talking to others in the scene. Towards the end of the scene, when it looks like Charlie is going to crack from the pressure, Nick sidled up to him from behind and gets very close and says into his ear, “Is there anything a Greek can do for you? Anything at all?”

Throughout the movie all the male characters refer to Charlie as kiddie, darling, and dear. All very strange. And then there is the matter of the Big Knife. What big knife? There’s no knife to be seen in the movie. Obviously, a symbol of something, but what? Usually considered phallic, but there was a lot of backstabbing going on and then there was that last scene. Plenty of heterosexual activity too. Charlie the movie star was something of a player. Every time somebody went up the spiral staircase it was to have sex with someone. Usually Charlie.

Big Knife 2

Rod Steiger and jack Palance

All the acting was over the top and the actors chewed the scenery plenty. Rod Steiger went nuclear in one scene which probably will go down in the history of cinema as the most explosive ever. The only actor who escaped this phenomenon was Ida Lupino, who was pitch perfect in every scene.

Now, you may have gotten the impression that I didn’t like this film. Not so. I thought it was very entertaining and fascinating to watch. I thoroughly enjoyed it! It is definitely an important part of film history. Highly Recommended.

 

The Comfort of Strangers (1990)

/ Benn Bell / 8 Comments

Movie Review

Poster Strangers

Never has Venice been more beautiful, photographed more sumptuously, or depicted with more foreboding since Nicholas Roeg’s, Don’t Look Now (1973). The Comfort of Strangers (1990), directed by Paul Schrader, is a horror movie but you don’t know that until the startling climax. That’s when you look back and see all the clues.

Venice

A young couple, Mary (Natasha Richardson) and Colin (Rupert Everett) travel to Venice to try to rekindle what is left of their lukewarm relationship. They walk around the streets of Venice in what seems like a bored stupor. They get lost one night and are rescued by an older man dressed in white (Robert, played with understated menace by Christopher Walken) who takes them to a bar and regales them with stories of his family and plies them with wine.

Lost in Venice

“My father was a very big man. And he wore a black mustache. When he grew older and it grew gray, he colored it with a pencil. The kind women use. Mascara.” This we learn from Robert not once but three times. This is our first clue that something is not quite right with Robert.

MV5BNWIzMGNhYTgtComfort

When Mary and Colin leave the bar, they get lost again and spend the night outside leaning against a wall. They make their way to a café on the piazza the next morning to order breakfast. Robert spies them and comes over and apologizes for abandoning them last night and invites them to his luxurious palazzo to get some rest. They accept. Later, they wake up naked in bed. It seems Robert’s wife,  Caroline (Helen Mirren), has hidden their clothes with instructions from Robert not to give them back until they accept an invitation to dinner. Caroline admits to Mary that she has sneaked into their room and watched them while they were sleeping. Another clue. Things get weird from there.

Christopher Walken

When Mary and Colin depart and go back to their hotel, they somehow find the spark that they were looking for and have wild passionate sex. They are lured back again to the mysterious couple’s abode and things do not end well.

CAROLINE AND MARY

A lot of things don’t quite add up in this stylish thriller but it is so interesting to watch you don’t seem to care. Excellent acting all around with Christopher Walken standing out as the creepy Robert. The film might best be summed up by the police detective investigating the crime at the end, “I don’t get it,” he says. I didn’t either, but I sure did enjoy it. Quite a literary pedigree, I may add, based on the novel by Ian McEwan and screenplay by Harold Pointer. Paul Schrader is known as a literary type of director and this is his kind of material.