I don’t review every movie that I see, only those that I have a strong reaction to, good or bad. Had I seen The Painted Bird in 2019 when it was first released, it would have jumped to the top of my Top 10 list. As it stands, it is very high on my all-time best film list. A rare bird indeed.
The Painted Bird (2019) is a film by Vaclav Marhoul based on the novel by Jerzy Kosinsky. It runs just short of three hours and is unrelenting in its depiction of the horrors encountered by a young boy as he makes his way across war torn Eastern Europe trying to find his way back home. If it were not for the occasional modern references such as a plane flying overhead, or a vehicle on a road, we would think the action was taking place in villages found in the middle ages.
Central to the story was a starling that was painted white and released back into its flock only to be pecked to death because it was different from the others. This is the analogous to what happened to the boy who was subjected to unimaginable horrors along the way because he was different and didn’t quite fit in and wasn’t from around wherever he found himself to be. And one could say that is true of minor groups not fitting in to larger groups such the Jews of Eastern Europe and in Germany.
This is a movie of cruelty, inhumanity, and bitter truth. It is not an easy watch. As a matter of fact, when the film was shown in Venice large parts of the audience fled the theater. But the film has to be admired for the unvarnished truth it portrays and the artistry and craftmanship that went into its making. The acting is superb by all the participants. All the characters were believable and real. The crisp black and white cinematography by Vladimr Smutny is extraordinary. Each frame is composed as a masterwork of inspired creativity and shades of grey.
I can’t recommend this film to everyone due to its strong content, but it has my rating as an artistic achievement.
Directed by Charles Laughton, starring Robert Mitchum, Shelly Winters, and Lillian Gish
Robert Mitchum in Night of the Hunter
Billed as one of the scariest movies ever made, Night of the Hunter (1955)is certainly chilling. Nobody does menace quite like Robert Mitchum. He plays a psychopathic man of the cloth who wields a switchblade knife like an erect penis. The man has definitely got his wires crossed. Beautifully photographed in black and white, each frame composed magnificently to produce the maximum effect. Highly stylized presentation, more of an arthouse thriller than a run of the mill horror flick. Definitely one of a kind. If you love films, this is one to add to your list.
Lavventura (1960) directed by Michelangelo Antonioni is a film about boredom. Boredom of the Italian bourgeoisie. Ostensibly a mystery and a detective story it depicts the emptiness of the lives of a group of rich Italians as they go through their daily lives striving to find something to stave off their deadly ennui. Usually they do this through sexual peccadillo and intrigue.
Albert Camus in his celebrated essay on the Myth of Sisyphus posited that there are only two valid philosophical questions: 1) in the face of the absurdity of existence and a life devoid of meaning should I commit suicide? 2) if no, the how do I overcome ennui? This theme is fully explored in L’Aventurra. While Camus says that in a life devoid of meaning we must give our lives meaning by our our own actions the characters in this film are merely going through the paces of living and relieving their boredom in the most meaningless way possible. In in the end they are mere empty shells truly devoid of any meaning.
The group of wealthy Italians head out on a yachting trip to a deserted volcanic island in the Mediterranean. When they are about to leave the island, they discover that Anna (Lea Massari) has disappeared. Sandro (Gabriele Ferzetti) , who is Anna’s fiance and Claudia (Monica Vitti) , Anna’s friend, try without success to find her. While looking for Anna Claudia and Sandro develop an attraction for each other. When they get back to land, they continue the search with no success. Sandro and Claudia proceed to become lovers, betraying the missing Anna. They then search the Italian countryside and various cities in search of her and have an adventure and fling of their own while doing so.
Beyond the meaning of the film there is there is the theatricality and cinematic quality of the camera work which serves to support the themes of the movie. Antonioni is known for his geometric compositions, static camera, and long takes. This is what I especially admire in his films and this one is no exception.
When first viewed by audience at Cannes it was booed. Later it won the Jury prize and has become acclaimed as a masterpiece.