Da 5 Bloods

Movie Blurb

Directed by Spike Lee, starring Delroy Lindo, Jonathan Majors, and Clarke Peters.

I am a Spike Lee fan, but you got to admit the brother is a little hit or miss. Coming off the success of BlacKkKlansman, Da 5 Bloods is a miss. And it’s mess. Which is very disappointing considering the material he was working with and the timeliness of his subject. Other directors have taken on the Vietnam experience and other directors have done a better job. The one saving grace is Delroy Lindo who is a terrific character actor and lights up the screen in every scene he is in. Even when he is chewing the scenery.

The movie suffers from poor writing and mediocre directing. Spike throws everything he has into this movie including the kitchen sink. Part Treasure of the Sierra Madre and part Apocalypse Now, it never does find its own footing. Except for when one of the Bloods makes a fatal misstep. That was quite a heartstopper and a show stopper as well. The shootout at the end was well staged I thought and executed very well. The photography was well done but you got to ask yourself, why did he need four different aspect ratios? Oh, I get it. He wanted to demark different times and places. An artistic decision as it were. Well, it didn’t work for me, just made the whole thing more confusing. And in the flash backs it was impossible to distinguish the younger version of Da Bloods from the present-day version of themselves.

If you are going to steal, steal from the best, just use a little finesse when you do it and don’t make it so obvious. When the leader of a group of Vietnamese marauders are asked by a member of Da Bloods, “Where are your official badges?” The answer comes back from the leader, “Badges? We don’t’ need no stinking badges!” In another scene, Wagner’s Ride of the Valkyries accompanies the action.

This might sound like a pan but not totally. I’m going to give the brother a 6 on a 10. Better luck next time Spike.

Il Bidone (1955)

Movie Blurb

Il Bidone (The Swindle) Directed by Fredrico Fellini, starring Broderick Crawford, Richard Basehart, Giuletta Masina. This is a movie about a group of con men swindling poor people out of their money which they in turn spend on flashy cars, booze, and prostitutes. You know, the usual. Shot in the neo-realism style in post war Italy it is indicative of Fellini’s early work. It is book-ended by two other films of a similar vein: La Strada (1954) and Nights of Cabria (1957). These films comprise what has become known as the “Trilogy of Loneliness.” I always get a kick out of seeing American actors in some of these early European films. Broderick Crawford gives the performance of his career in Il Bidone. Not as good as the other two, but worth a look!

Broderick Crawford in Il Bidone
Richard Basehart and Broderick Crawford in Il Bidone
Giulietta Masina in Il Bidone

On the Criterion Channel and available on Amazon.

House of Games (1987)

Movie Blurb

House of Games (1987)

Written and directed by David Mamet, starring Lindsay Crouse and Joe Mantegna. This movie was pretty much universally praised when it came out in 1987. It is currently rated 7.3 on IMBD. Roger Ebert, no less, rated it four stars out of four and gave it a glowing review. I’m going to give it a six out of ten.

While I liked the film, and had a favorable impression of it when I first saw it in 1987, I don’t feel like it stands the test of time. It is well crafted, but so is a finely made piece of furniture. I can see the seams and joints and that seems to take away from my overall impression. I want to get lost in the action of the picture and not see the woof and worf.

House of Games is about a den of con artists. And while it is fascinating to see the cons work their magic, I couldn’t help but notice seeing them coming. And it is hard to imagine the central character being so gullible, after having participating in a con herself, not seeing the con being played on her. But I guess that is the beauty of the con, it’s human nature to want to believe it.

Lindsay Crouse and Joe Mantegna in House of Games

I loved how the film looked. Very noirish. Seattle at night with neon lights reflected in puddles of water and steam rising from man hole covers. Nice atmosphere!

Lots of Mamet’s patented rapid-fire dialogue, which can sound a little stilted and stagy at times.  If only Mamet had succeeded in conning me into believing what he was selling. He already conned me out of my money for the price of a ticket.

House of Games is part of the Criterion Collection and is available on Amazon.

The Juniper Tree (1990)

Movie blurb

Juniper Tree

The Juniper Tree (1990),  directed by Nietzchka Keene, starring Bjork, Bryndis Petra Bragadottir, and Valdimar Orn Flygenring.

This extraordinary film, based on a Grimm’s Fairy tale, is shot in Iceland, and takes place in medieval Iceland. The stark landscapes stand out brilliantly as photographed in delicious black and white. I see echoes of Bergman here but this is a truly unique film of women with supernatural powers.  Bjork is radiant in this her film debut as one of the sisters who has visions. Highly recommend!

Bjork

Un flic (1972)

Movie Blurb

un flic poster

Directed by Jean- Pierre Melville, starring Alain Delon, Richard Crenna, and Catherine Deneuve.

Un flic translates to “A cop,” but it is a heist movie that features the bad guys as well. Alain Delon is the icy cop who doesn’t mind issuing a slap across the face from time to time to gain cooperation. Richard Crenna is the mastermind criminal and nightclub owner. Catherine Deneuve, who is impossibly beautiful and completely vacuous in this role, is the femme fatale that each man is in love with.

Catherine

The movie starts with bank robbery in a small French town near the ocean on a foggy day. It is brilliantly conceived and executed with a minimum of dialogue.  Another set piece was a train robbery, which features lowering Richard Crenna onto a moving train and picking him up again from a flying helicopter overhead. Wow! Never saw anything like that. Models were used in the filming, but I didn’t care, it was still pretty exciting. When planning the train robbery, the gang calculated a time frame of 20 minutes. When the robbery actually takes place, the sequence is exactly 20 minutes long. Pretty impressive stuff. Not Melville’s best film, but it was his last, and definitely memorable!

un flic

The Big Knife (1955)

Movie Review

The Big Knife poster

Directed by Robert Aldrich, starring Jack Palance, Ida Lupino, and Rod Steiger. Screenplay by James Poe, based on the play by Clifford Odets.

The Big Knife is a movie that defies easy classification. It is billed as a crime picture, a drama, and a film-noir. I would call it more of a melodrama. It is a poison pen piece directed at the cruel and heartless Hollywood system of the time, which, when you think about it, hasn’t really changed by much. At one point the Shelly Winters character says, “I’d rather see a snake than a Hollywood producer.”

The writing is a bit turgid, approaching the Baroque. It is hard to tell where Clifford Odets leaves off and James Poe begins. But I suspect it is Poe, who is doing all the declaiming. Example: “How dare you come in here and throw this mess of naked pigeons in my face.”

Big Knife

Ida Lupino and Jack Palance

It seemed to me to have a strong Homo-erotic undertow. I don’t know, I didn’t see any mention of it in any of the reviews, but it was certainly apparent to me. In the opening scene the Jack Palance character, Charlie Castle, and his personal trainer, Nick, were boxing in the backyard of his plush home in Bel Air. Both were half naked and there was a lot of clinching going on. They were having a lot of fun. Later Nick gives Charlie a rubdown on a massage table in the backyard while Charlie took a meeting with the head of the studio and his henchmen. Lot of sensual rubbing going on. Then, Nick has Charlie turn over on his back and he pours alcohol on his chest and belly and continues to rub. All the while Charlie is talking to others in the scene. Towards the end of the scene, when it looks like Charlie is going to crack from the pressure, Nick sidled up to him from behind and gets very close and says into his ear, “Is there anything a Greek can do for you? Anything at all?”

Throughout the movie all the male characters refer to Charlie as kiddie, darling, and dear. All very strange. And then there is the matter of the Big Knife. What big knife? There’s no knife to be seen in the movie. Obviously, a symbol of something, but what? Usually considered phallic, but there was a lot of backstabbing going on and then there was that last scene. Plenty of heterosexual activity too. Charlie the movie star was something of a player. Every time somebody went up the spiral staircase it was to have sex with someone. Usually Charlie.

Big Knife 2

Rod Steiger and jack Palance

All the acting was over the top and the actors chewed the scenery plenty. Rod Steiger went nuclear in one scene which probably will go down in the history of cinema as the most explosive ever. The only actor who escaped this phenomenon was Ida Lupino, who was pitch perfect in every scene.

Now, you may have gotten the impression that I didn’t like this film. Not so. I thought it was very entertaining and fascinating to watch. I thoroughly enjoyed it! It is definitely an important part of film history. Highly Recommended.

 

Night of the Hunter (1955)

Movie Blurb

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Directed by Charles Laughton, starring Robert Mitchum, Shelly Winters, and Lillian Gish

Robert Mitchum Night of the hunter

Robert Mitchum in Night of the Hunter

Billed as one of the scariest movies ever made, Night of the Hunter (1955) is certainly chilling. Nobody does menace quite like Robert Mitchum. He plays a psychopathic man of the cloth who wields a switchblade knife like an erect penis. The man has definitely got his wires crossed. Beautifully photographed in black and white, each frame composed magnificently to produce the maximum effect. Highly stylized presentation, more of an arthouse thriller than a run of the mill horror flick. Definitely one of a kind. If you love films, this is one to add to your list.

Night hunter

The Lady from Shanghai (1947)

Lady from Shanghai

Movie Blurb

The Lady from Shanghai (1947), directed by Orson Welles, starring Orson Welles, screenplay by Orson Welles, also starring the beautiful Rita Hayworth. Wow! I can’t believe I have never seen this film noir classic until now. That is the beauty of the Criterion Channel. A very convoluted plot, solid acting, a few plot holes, and a phony Irish brogue on the part of the Orson Welles character mixed together with original and creative camera work and outstanding editing make for the ingredients of a flawed but visually stunning movie. Orson Welles and Rita Hayworth were married at the time the picture was being filmed but were divorced three weeks after completion. That might explain the lack of chemistry between the two. He had her cut her hair short and bleached blonde for the picture, which was controversial at the time but I thought she looked sensational. This is a must see for all serious film buffs. Glad I finally got around to it!

 

The Eyes of Laura Mars (1978)

Movie Blurb

Mars poster

I sat through this tedious little thriller last night. I kept hoping it would get better and redeem itself. It didn’t. It was a great concept but failed to deliver. It suffers from weak writing, mediocre direction, and zero chemistry between the stars, Faye Dunaway and Tommy Lee Jones. The sex scenes were some of the most awkward ever laid on celluloid. The dialogue was unbelievable and there were plot points through which you could drive a truck.

Mars

There was a lot of talent here but it didn’t add up to much. John Carpenter was the writer, Irvin Kershner directed. The images used in the film were from the Helmut Newton Collection and the title song was sung by Barbara Streisand. Interesting turn by character actor Brad Dourif. Raul Julia played Laura’s ex in a not so interesting turn. There was an exciting chase scene at the end that was mostly on foot. What I like the most about the film were the various location shots in New York City. New York was pretty gritty in 1978.

Mars 2

The Comfort of Strangers (1990)

Movie Review

Poster Strangers

Never has Venice been more beautiful, photographed more sumptuously, or depicted with more foreboding since Nicholas Roeg’s, Don’t Look Now (1973). The Comfort of Strangers (1990), directed by Paul Schrader, is a horror movie but you don’t know that until the startling climax. That’s when you look back and see all the clues.

Venice

A young couple, Mary (Natasha Richardson) and Colin (Rupert Everett) travel to Venice to try to rekindle what is left of their lukewarm relationship. They walk around the streets of Venice in what seems like a bored stupor. They get lost one night and are rescued by an older man dressed in white (Robert, played with understated menace by Christopher Walken) who takes them to a bar and regales them with stories of his family and plies them with wine.

Lost in Venice

“My father was a very big man. And he wore a black mustache. When he grew older and it grew gray, he colored it with a pencil. The kind women use. Mascara.” This we learn from Robert not once but three times. This is our first clue that something is not quite right with Robert.

MV5BNWIzMGNhYTgtComfort

When Mary and Colin leave the bar, they get lost again and spend the night outside leaning against a wall. They make their way to a café on the piazza the next morning to order breakfast. Robert spies them and comes over and apologizes for abandoning them last night and invites them to his luxurious palazzo to get some rest. They accept. Later, they wake up naked in bed. It seems Robert’s wife,  Caroline (Helen Mirren), has hidden their clothes with instructions from Robert not to give them back until they accept an invitation to dinner. Caroline admits to Mary that she has sneaked into their room and watched them while they were sleeping. Another clue. Things get weird from there.

Christopher Walken

When Mary and Colin depart and go back to their hotel, they somehow find the spark that they were looking for and have wild passionate sex. They are lured back again to the mysterious couple’s abode and things do not end well.

CAROLINE AND MARY

A lot of things don’t quite add up in this stylish thriller but it is so interesting to watch you don’t seem to care. Excellent acting all around with Christopher Walken standing out as the creepy Robert. The film might best be summed up by the police detective investigating the crime at the end, “I don’t get it,” he says. I didn’t either, but I sure did enjoy it. Quite a literary pedigree, I may add, based on the novel by Ian McEwan and screenplay by Harold Pointer. Paul Schrader is known as a literary type of director and this is his kind of material.