According to Buddhism there are two kinds of truth: Relative Truth and Absolute Truth. We recognize the presence of happiness and the presence of suffering. One day we realize that suffering and happiness are “not two.”
Where ever there is joy there is suffering.
Suffering and joy are not two.
Our life is the path
We enter the path of practice through the door of knowledge
All conditioned things are impermanent. They are phenomena, subject to birth and death.
In the Discourse on the Turning of the Wheel of Dharma the Buddha taught the Four Noble Truths of suffering, the cause of suffering, the cessation of suffering, and the path. In the Heart Sutra, Bodhisattva Avalokiteshvara tell us there is no suffering, no cause of suffering, no cessation of suffering, and no path. Is this a contradiction? No. The Buddha is speaking in terms of relative truth and Avlakiteshvara is teaching in terms of absolute truth.
The Buddha recommends that we recite the Five Remembrances every day:
I am of the nature to grow old. There is no way to escape growing old.
I am of the nature to have ill-health. There is no way to escape having ill-health.
All things dear to me and everyone I love are of the nature to change. There is no way to escape being separated from them.
My actions are my only true belongings. I cannot escape the consequences of my actions. My actions are the ground on which I stand.
When we look at the ocean, we see that each wave has a beginning and an end.
If we look deeply, we can see a wave is made of water.
While living the life of a wave, it also lives the life of water. When a wave touches her true nature, which is water, all her complexes will cease, and she will transcend birth and death.
Liberation is the ability to go from the world of signs to the world of true nature.
What is essential is to be our best while we are here.
I don’t review every movie that I see, only those that I have a strong reaction to, good or bad. Had I seen The Painted Bird in 2019 when it was first released, it would have jumped to the top of my Top 10 list. As it stands, it is very high on my all-time best film list. A rare bird indeed.
The Painted Bird (2019) is a film by Vaclav Marhoul based on the novel by Jerzy Kosinsky. It runs just short of three hours and is unrelenting in its depiction of the horrors encountered by a young boy as he makes his way across war torn Eastern Europe trying to find his way back home. If it were not for the occasional modern references such as a plane flying overhead, or a vehicle on a road, we would think the action was taking place in villages found in the middle ages.
Central to the story was a starling that was painted white and released back into its flock only to be pecked to death because it was different from the others. This is the analogous to what happened to the boy who was subjected to unimaginable horrors along the way because he was different and didn’t quite fit in and wasn’t from around wherever he found himself to be. And one could say that is true of minor groups not fitting in to larger groups such the Jews of Eastern Europe and in Germany.
This is a movie of cruelty, inhumanity, and bitter truth. It is not an easy watch. As a matter of fact, when the film was shown in Venice large parts of the audience fled the theater. But the film has to be admired for the unvarnished truth it portrays and the artistry and craftmanship that went into its making. The acting is superb by all the participants. All the characters were believable and real. The crisp black and white cinematography by Vladimr Smutny is extraordinary. Each frame is composed as a masterwork of inspired creativity and shades of grey.
I can’t recommend this film to everyone due to its strong content, but it has my rating as an artistic achievement.
The Killers (1946) is a better than average film noir based on the Hemingway story of the same name. Starring Burt Lancaster as the prize fighter Ole ‘Swede’ Andreson, Ava Gardner as the femme fatale Kitty, and Edmond O’ Brien as the insurance investigator Reardon. Directed by Robert Siodmak. The first thirteen minutes are pure Hemingway and, in my opinion, the best part of the movie. The rest of the movie is quite good too, but that first part was very impressive. The rest of the movie is an expansion of the original Hemingway story and told in a series of flashbacks. Excellent performances by all, this was Lancaster’s first film and made him a star.