I don’t review every movie that I see, only those that I have a strong reaction to, good or bad. Had I seen The Painted Bird in 2019 when it was first released, it would have jumped to the top of my Top 10 list. As it stands, it is very high on my all-time best film list. A rare bird indeed.
The Painted Bird (2019) is a film by Vaclav Marhoul based on the novel by Jerzy Kosinsky. It runs just short of three hours and is unrelenting in its depiction of the horrors encountered by a young boy as he makes his way across war torn Eastern Europe trying to find his way back home. If it were not for the occasional modern references such as a plane flying overhead, or a vehicle on a road, we would think the action was taking place in villages found in the middle ages.
Central to the story was a starling that was painted white and released back into its flock only to be pecked to death because it was different from the others. This is the analogous to what happened to the boy who was subjected to unimaginable horrors along the way because he was different and didn’t quite fit in and wasn’t from around wherever he found himself to be. And one could say that is true of minor groups not fitting in to larger groups such the Jews of Eastern Europe and in Germany.
This is a movie of cruelty, inhumanity, and bitter truth. It is not an easy watch. As a matter of fact, when the film was shown in Venice large parts of the audience fled the theater. But the film has to be admired for the unvarnished truth it portrays and the artistry and craftmanship that went into its making. The acting is superb by all the participants. All the characters were believable and real. The crisp black and white cinematography by Vladimr Smutny is extraordinary. Each frame is composed as a masterwork of inspired creativity and shades of grey.
I can’t recommend this film to everyone due to its strong content, but it has my rating as an artistic achievement.