Shame (1968)

Written and Directed by Ingmar Bergman

A promotional poster for Ingmar Bergman's film 'Shame.' The image shows two characters standing amidst a bleak landscape with smoke and fire in the background. The film title 'SHAME' is prominently displayed, with a red line crossing through it.

I’ve watched this movie several times over the last 50 years, most recently the night before last. It has always resonated with me, but only on this latest viewing did I feel I finally understood it: at its heart, it is about innocents caught in a war they didn’t choose. Made at the height of the Vietnam War, the film might be considered anti-war, yet its setting is neither Vietnam nor World War II. Instead, a civil war rages in, of all places, Sweden. The central characters are two musicians living on an island, hoping to escape the chaos until the war catches up with them. We are given little information about the conflict and cannot tell who the good guys or bad guys are. Rather than pushing an ideology, the film focuses on the raw emotion of its protagonists as war strains their already burdened marriage. Liv Ulman and Max von Sydow play the couple to perfection. As usual, Sven Nykvist’s cinematography masterfully portrays both the warring armies and the protagonists. Bergman said in an interview that, while writing the film, he imagined what he would do in these situations and shaped the scenes around those responses. That personal approach connects with what finally struck me on this viewing: the film’s power lies in how war overtakes individual lives. An amazing movie—one I finally feel I understand.

The Yards (2000)

Movie Blurb

I’ve been watching the James Gray New York Collection on the Criterion Channel. I can’t believe how good they are. I’ve seen a couple in the past like The Immigrant and We Own the Night, and I remember them to have been quite excellent. I don’t know how I missed some of these other little gems like Little Odessa and The Yards, which I watched last night. Outstanding performances by an ensemble cast including Mark Wahlberg, Joaquin Phoenix Charlize Theron, James Caan, Faye Dunaway, and Ellen Burstyn. I will continue to watch the rest of the collection. I enjoy the character-driven stories taking place in a city that I love, New York, which has a character all its own.

Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles (1975)

Movie Review

Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles (1975)

Extraordinary film exceedingly slow but fascinating to watch. In fact, you can’t seem to take your eyes off it while waiting for something to happen. To say Jeanne Dielman lives a life of deadly routine would perhaps give too much away. I loved the use of the static camera as she walked in and out of the frame turning lights on and off as she went from room to room. There is one moment of stark reality which brings one back to one’s senses and brings unity to the entire affair. An unusual film, but a must-see, for all film buffs.

Beau Travail (1999)

Movie Blurb

Beau Travail (1999) Directed by Claire Denis. Starring Denis Lavant, Michel Subor, and Gregoire Colin. A brilliant retelling of Melville’s Billy Budd, only instead of a British frigate the action takes place in the desert on the Gulf of Djibouti near the Horn of Africa. Instead of sailors the men involved are soldiers in the French Foreign Legion. This is a movie about military discipline, routine, and codes of honor. A new recruit is introduced and tension develops with the second in command. There is not much of a plot or narrative arc but this is an extremely visual film and you get all you need to know from the visual story telling. The photography is spectacular.

There is an unmistakable undercurrent of homoeroticism swirling around just below the surface as Denis directs our gaze to the half naked young men going through their ritualist exercises and bonding together as in a slow moving ballet. It is an examination of military culture and the masculine mystique.

This movie can be seen on the Criterion Channel.

The Killers (1946)

Movie Blurb

Burt Lancaster

The Killers (1946) is a better than average film noir based on the Hemingway story of the same name. Starring Burt Lancaster as the prize fighter Ole ‘Swede’ Andreson, Ava Gardner as the femme fatale Kitty, and Edmond O’ Brien as the insurance investigator Reardon. Directed by Robert Siodmak. The first thirteen minutes are pure Hemingway and, in my opinion, the best part of the movie. The rest of the movie is quite good too, but that first part was very impressive. The rest of the movie is an expansion of the original Hemingway story and told in a series of flashbacks. Excellent performances by all, this was Lancaster’s first film and made him a star.

Ava Garner
The Killers

Rancho Notorious (1952)

Movie Blurb

Rancho Notorious (1952) Directed by Fritz Lang. Starring Marlene Dietrich, Arthur Kennedy, and Mel Ferrer. A western that is part western, part revenge thriller and part mystery and all Marlene Dietrich and Fritz Lang. In this cult favorite Vern Haskell (Arthur Kennedy), a Wyoming ranch hand, seeks to avenge his fiancé’s rape and murder which occurs during the course of a robbery early on in the film.  The only clues he has is a mysterious place called Chuck-a-Luck where the killer is supposed to be headed and a name which might be a person, place, or a thing: Altar Keane. The plot only becomes more convoluted from there. Vern helps the outlaw Frenchy Fairmont (Mel Ferrer) escape from jail and Frenchy leads him to Chuck-a-Luck, a sort of robber’s roost run by the infamous Altar Keane (Marlene Dietrich).

Altar Keane is kind of a dominatrix who holds sway over all the outlaws that hole up at her place and demands 10% of their take in any illegal activities for providing them protection. She dominates all the men harshly except for Frenchy with whom she shares her bed. However, she takes a shine to new comer Vern and that is where the trouble comes in. Vern, for his part has to determine who at Chuck-a-Luck is the killer he seeks. He also falls for Altar Keane. Messy? You bet, but that is what makes it so fun!

Rancho Notorious is full of familiar faces like William Frawley (I Love Lucy), George Reeves (Superman) and stock player Jack Elam. It was originally titled “Chuck-a-Luck,” but studio head Howard Hughes made Lang change it to “Rancho Notorious”, fearing American audience wouldn’t know what Chuck-a-Luck meant. However, it had absolutely nothing to do with the film.

Shot in Technicolor, run time 89 minutes, aspect ratio 1.37:1.

I viewed it on the Criterion Channel. It’s also available on Amazon.

Three Colors: Red (1994)

Movie Blurb

Irene Jacob

Three Colors: Red (1994) Directed by Krzysztof Kieslowski starring Irene Jacob, Jean-Louis Trintignat, and Frederique Feder. The Blue, White, and Red in the movie titles stand for the French Tricolors, representing Liberty, Equality, and Fraternity. I just watched them back to back and that is the best way to view them, I think. That way you can see the thematic links between them all even though each film stands on its own. I had seen Blue years before but had forgotten it and was pleasantly surprised as I started watching it and the previous viewing returned to me. Some of my friends like Blue the best but my money is on Red. They are all equally well done. What I liked about Red was the depiction of the parallel lives of the characters and the missed connections. Marvelously well done!  

La Notte (1961)

The Night

La Notte (1961) (The Night) Directed by Michelangelo Antonio, starring Marcello Mastroianni, Jeanne Moreau, and Monica Vitti. I don’t know how I missed this masterpiece of the Italian cinema but I am happy that I did finally get to see it recently on the Criterion Channel. This film is second in the Trilogy of Alienation bookended by  L’Aventura (The Adventure) (1960) and L’Eclisse (The Eclipse) (1962). La Notte is about the dissolution of a marriage through indifference and boredom and the alienation of society in both the bourgeoisie and the upper classes. The film takes place in a 24-hour period culminating at a party at a rich industrialist’s house in Milan. Crisp black and white photography and excellent framing visually projects the loneliness and the alienation of the characters and the boredom of their respective lives.  

Jeanne Moreau’s inner feeling of sadness are well on display as she comes to realize she no longer loves her husband and that he no longer loves her. Marcello Mastroianni is perfectly cast as the husband who walks through life in a daze of bored indifference.

This movie is cold as ice, but it speaks the truth. Highly recommended!

DEATH IN VENICE (1971)

Movie Blurb

Death in Venice, directed by Luchino Visconti and starring Dirk Bogarde, is based on the Thomas Mann novella of the same name. A Gustave Mahler like character, named Gustave, goes to Venice for a rest. There he becomes infatuated with a teenaged boy who for him personifies his very idea of purity and beauty. The movie deals with the themes of death, beauty, decay, youth, old age, art, and oddly enough the plague.

Slow moving but exquisitely beautiful to watch. Some say Venice has never been so beautifully photographed. The score by Gustave Mahler is divine and is in perfect combination with the majestic beauty unfolding on the screen. There are long stretches with no dialogue, only visuals and music.  A true classic of the cinema.

Available on the Criterion Channel or Amazon Prime.

Da 5 Bloods

Movie Blurb

Directed by Spike Lee, starring Delroy Lindo, Jonathan Majors, and Clarke Peters.

I am a Spike Lee fan, but you got to admit the brother is a little hit or miss. Coming off the success of BlacKkKlansman, Da 5 Bloods is a miss. And it’s mess. Which is very disappointing considering the material he was working with and the timeliness of his subject. Other directors have taken on the Vietnam experience and other directors have done a better job. The one saving grace is Delroy Lindo who is a terrific character actor and lights up the screen in every scene he is in. Even when he is chewing the scenery.

The movie suffers from poor writing and mediocre directing. Spike throws everything he has into this movie including the kitchen sink. Part Treasure of the Sierra Madre and part Apocalypse Now, it never does find its own footing. Except for when one of the Bloods makes a fatal misstep. That was quite a heartstopper and a show stopper as well. The shootout at the end was well staged I thought and executed very well. The photography was well done but you got to ask yourself, why did he need four different aspect ratios? Oh, I get it. He wanted to demark different times and places. An artistic decision as it were. Well, it didn’t work for me, just made the whole thing more confusing. And in the flash backs it was impossible to distinguish the younger version of Da Bloods from the present-day version of themselves.

If you are going to steal, steal from the best, just use a little finesse when you do it and don’t make it so obvious. When the leader of a group of Vietnamese marauders are asked by a member of Da Bloods, “Where are your official badges?” The answer comes back from the leader, “Badges? We don’t’ need no stinking badges!” In another scene, Wagner’s Ride of the Valkyries accompanies the action.

This might sound like a pan but not totally. I’m going to give the brother a 6 on a 10. Better luck next time Spike.