Is Identity Politics Tearing Society Apart?

Lexicon for Anarchists

We live in the postmodern era and as Bob Dylan once said, a political world.  As I look around, I observe that there seems to be a whole new vocabulary that has sprung up around events and the way we are. I thought it would be useful if we could define our terms for a better understanding of our Brave New World. First of all, what is postmodernism?

The Oxford Languages Dictionary defines postmodernism as a late-20th-century style and concept in the arts, architecture, and criticism that represents a departure from modernism and has at its heart a general distrust of grand theories and ideologies as well as a problematical relationship with any notion of “art.”

Britannica goes on to say: “Postmodernism, in western philosophy, is a late 20th-century movement characterized by broad skepticism, subjectivism, or relativism; a general suspicion of reason; and an acute sensitivity to the role of ideology in asserting and maintaining political and economic power.”

In the 1980s and ’90s, academic advocates on behalf of various ethnic, cultural, racial, and religious groups embraced postmodern critique of contemporary Western society, and postmodernism became the unofficial philosophy of the new movement of “Identity politics.”

“Identity politics,” also commonly referred to as the politics of identity or identity-based politics, is a phrase that is widely used in the social sciences and humanities to describe the deployment of the category of identity as a tool to frame political claims, promote political ideologies, or stimulate and orientate social and political action, usually in a larger context of inequality or injustice and with the aim of asserting group distinctiveness and belonging and gaining power and recognition. Additionally, identity politics refers to tensions and struggles over the right to map and define the contours and fixed “essence” of specific groups. The phrase has become increasingly common in political anthropology since the second half of the 20th century with the emergence of a wide diversity of social movements, including the women’s movement, the African American civil rights movement, and the gay and lesbian movement, as well as nationalist and postcolonial movements. Central to the practice of identity politics are the notions of sameness and difference, and thus the anthropological study of identity politics involves the study of the politics of difference (Oxford Bibliographies).

The Oxford Dictionary defines Identity politics as political positions that are based on the social groups that people see themselves as belonging to, for example based on religion, race or social background, rather than on traditional political parties.

The Merriam-Webster dictionary defines Identity politics as politics in which groups of people having a particular racial, religious, ethnic, social, or cultural identity tend to promote their own specific interests or concerns without regard to the interests or concerns of any larger political group. This last definition seems to be the clearest and on the mark for purposes of this discussion. The key point I think is that these groups promote their own interests without regard to the interests of others and seek power for themselves.

Multiculturalism is closely associated with identity politics or political and social movements that have group identity as the basis of their formation and the focus of their political action. Multiculturalism is the view that cultures, races, and ethnicities, particularly those of minority groups, deserve special acknowledgment of their differences within a dominant political culture (Britannica).

Intersectionality is the interconnected nature of social categorizations such as race, class, and gender as they apply to a given individual or group, regarded as creating overlapping and interdependent systems of discrimination or disadvantage (Oxford Languages).

Merriam-Webster defines intersectionality as the complex, cumulative way in which the effects of multiple forms of discrimination (such as racism, sexism, and classism) combine, overlap, or intersect, especially in the experiences of marginalized individuals or groups. As an example, a black woman may face discrimination on the basis of sex and color.

Political Correctness is the avoidance, often considered as taken to extremes, of forms of expression or action that are perceived to exclude, marginalize, or insult groups of people who are socially disadvantaged or discriminated against (Oxford Languages).

According to Dictionary.com, Cancel culture refers to the popular practice of withdrawing support (canceling) for public figures and companies after they have done or said something considered objectionable or offensive. It’s generally discussed as being performed on social media in the form of group shaming.

The Urban Dictionary defines canceling as “to dismiss something or somebody” and “to reject an individual or idea.” And when people use the term unironically, it reveals a big problem with our culture. Cancel culture as it currently exists doesn’t give people a chance to learn from or apologize for their wrongdoings.

Critical theory is a Marxist-inspired movement in social and political philosophy associated with the work of the Frankfurt School and based on the thought of Karl Marx and Sigmund Freud. Critical theorists maintain that a primary goal of philosophy is to understand and to help overcome the social structures through which people are dominated and oppressed. Believing that science, like other forms of knowledge, has been used as an instrument of oppression, they caution against a blind faith in scientific progress, arguing that scientific knowledge must not be pursued as an end in itself without reference to the goal of human emancipation. Since the 1970s, critical theory has been immensely influential in the study of history, law, literature, and the social sciences (Britannica). The central argument of critical theory is that all knowledge, even the most scientific or “commonsensical,” is historical and broadly political in nature. Critical theorists argue that knowledge is shaped by human interests of different kinds, rather than standing “objectively” independent from these interests. According to the Frankfurt theorists, a “critical” theory may be distinguished from a “traditional” theory according to a specific practical purpose: a theory is critical to the extent that it seeks human “emancipation from slavery”, acts as a “liberating influence”, and works “to create a world which satisfies the needs and powers” of human beings (Stanford Encyclopedia of Philosophy).

Critical race theory is the view that the law and legal institutions are inherently racist and that race itself, instead of being biologically grounded and natural, is a socially constructed concept that is used by white people to further their economic and political interests at the expense of people of color. According to critical race theory, racial inequality emerges from the social, economic, and legal differences that white people create between “races” to maintain elite white interests in labor markets and politics, giving rise to poverty and criminality in many minority communities. The critical race theory movement officially organized itself in 1989, at the first annual Workshop on Critical Race Theory, though its intellectual origins go back much further, to the 1960s and ’70s (Britannica).

Liberal: Favorable to progress or reform, as in political or religious affairs. Noting or pertaining to a political party advocating measures of progressive political reform. Of, pertaining to, based on, or advocating liberalism the freedom of the individual and governmental guarantees of individual rights and liberties. Favorable to concepts of the maximum individual freedom possible, especially as guaranteed by law and secured by governmental protection of civil liberties. Favoring or permitting freedom of action, especially with respect to matters of personal belief or expression: a liberal policy toward dissident artists and writers. Of or relating to representational forms of government; free from prejudice or bigotry; tolerant: a liberal attitude toward foreigners. Open-minded or tolerant, especially free of or not bound by traditional or conventional ideas or values (Dictionary.com).

Liberalism is a political and moral philosophy based on liberty, consent of the governed and equality before the law. … Liberals also ended mercantilist policies, royal monopolies and other barriers to trade, instead promoting free trade and free markets.

Classical liberalism is a political ideology and a branch of liberalism that advocates civil liberties under the rule of law with an emphasis on economic freedom (Wikipedia).

Looking back in history the ambitions of national rulers and the requirements of expanding industry and commerce led gradually to the adoption of economic policies based on mercantilism, a school of thought that advocated government intervention in a country’s economy to increase state wealth and power. However, as such intervention increasingly served established interests and inhibited enterprise, it was challenged by members of the newly emerging middle class. This challenge was a significant factor in the great revolutions that rocked England and France in the 17th and 18th centuries, most notably the English Civil wars (1642–51), the Glorious Revolution (1688), the American Revolution (1775–83), and the French Revolution (1789). Classical liberalism is a result of those great collisions (Britannica).

Not surprisingly, illiberal is pretty much the opposite of liberal: Opposed to liberal principles; restricting freedom of thought or behavior.

Neoliberalism, is an ideology that emphasizes the free market, it is most commonly associated with laissez-faire economics. Neoliberals believes sustained economic growth is the means to achieve human progress, and believe confidence in free markets is the most-efficient allocation of resources. Neoliberalism places emphasis on minimal state intervention in economic and social affairs, and its commitment to the freedom of trade and capital. By the 1970s economic stagnation and increasing public debt prompted some economists to advocate a return to classical liberalism, which in its revived form came to be known as neoliberalism (Britannica).

Woke: alert to injustice in society, especially racism. Woke is a slang term that is easing into the mainstream from African American Vernacular English. In AAVE, awake is often rendered as woke, as in, “I was sleeping, but now I’m woke.”

White privilege isdefined by Oxford Languages Dictionary asinherent advantages possessed by a white person on the basis of their race in a society characterized by racial inequality and injustice.White privilege is described in Peggy McIntosh’s 1988 essay, “White Privilege: Unpacking the Invisible Knapsack.” The essay helps readers recognize white privilege by making its effects personal and tangible. For many, white privilege was an invisible force that white people needed to recognize. It was being able to walk into a store and find that the main displays of shampoo and panty hose were catered toward your hair type and skin tone. It was being able to turn on the television and see people of your race widely represented. It was being able to move through life without being racially profiled or unfairly stereotyped.

Racism is defined by Matthew Clair and Jeffrey S. Denis as “individual- and group-level processes and structures that are implicated in the reproduction of racial inequality.” Systemic racism happens when these structures or processes are carried out by groups with power, such as governments, businesses or schools.

Safe space is a place (as on a college campus) that is intended to be free of bias, conflict, criticism, or potentially threatening actions, ideas, or conversations.

Victimization/victimhood/ Culture of victimhood

Certain social conditions have led to large-scale moral changes in the culture such as the emergence of a victimhood culture that is distinct from the honor cultures and dignity cultures of the past. Sociologists Bradley Campbell and Jason Manning have produced the first systematic theoretical analysis of the moral culture of “victimhood” emerging on university campuses. Central to their investigation is the claim that moral cultures tend to take one of three forms: honor cultures, dignity cultures and victim cultures.

Honor cultures emerge when a centralized state authority is not present or not legitimate and when people are extremely materially vulnerable. Under these conditions, individuals will take offense very easily, grow quickly fearful, and engage in higher rates of defensive, preemptive aggression as well as vigilante justice, in order to settle their disputes. This preemptive aggression can develop into bloody feuds enveloping whole families, gangs, or lineages. Physical bravery, deferential respect to the powerful, and an unwillingness to appear weak and vulnerable become the overriding values.

Campbell and Manning suggest that slowly over the last 500 years, state authority (police, courts and jails) has come to supplant vigilante justice as a powerful and reasonably fair system of adjudicating disputes regardless of their severity. Over the last 500 years societies have not only become more reliant on state authority to resolve disputes, but also materially wealthier due to machine technology and market economies, relatively more equitable in terms of the distribution of resources, power and prestige, as well as more diverse due to the formal legal rights and benefits extended to women and minorities.

In a dignity culture, a more modern form of society, individuals resort to legal authority when disputes and wrongdoings are sufficiently severe, but for minor offenses they make an effort to resolve the dispute privately in a nonviolent manner. All citizens are assumed to have a sense of dignity and self-restraint, and everyone is expected to, at least at first, give the benefit of the doubt to a disputant to see if a conflict can be resolved peacefully. However, Campbell and Manning contend that when state authority begins to exert monopolizing control over a population of increasingly diverse, legally “equal” people, a victim culture may emerge.

Victim cultures share a sensitivity to slights or insults with honor cultures. While those in an honor culture might try to retaliate (physically or otherwise), individuals in a victim culture instead appeal to a powerful, omnipresent state/legal authority. Classic examples are Mao’s China and Stalin’s Russia. In contrast to honor cultures that expect victims to be strong and stern enough to defend themselves, and dignity cultures that expect victims to be calm and charitable when in a dispute or disagreement, victim cultures emphasize how complainants are emotionally or physically fragile, vulnerable, and weak. In order to have high status in a victim culture, one must perfect and dramatize a personal “narrative of suffering.” Proclaiming one’s own weakness, frailty, and suffering might seem dishonorable or shameful from an honor culture perspective, or gratuitous and self-absorbed from a dignity culture perspective.

Campbell and Manning find such a victim culture emerging again in Western society, particularly on university campuses and especially in elite ivy-league schools. Institutions like these contain all of the components necessary for a victim culture to arise: (1) campuses tend to be racially/ethnically diverse, (2) an ethic of equal treatment under a shared identity (student) is emphasized, (3) students tend to come from relatively comfortable middle-class backgrounds, and (4) universities are largely run by powerful administrative bureaucracies given to extending their authority (in Title IX offices, student conduct offices, or multicultural/diversity offices). Let me be clear, this emergence of a victim culture is primarily to be found on college campuses and as stated above, especially league schools, but it is my belief that it is spreading into the general culture as well.

What shall we do with all this information? Now we ae equipped to discuss some of the ills of society. We can see both sides of the issues and we can make better arguments for and against.

What will you say the next time someone says to you Black Lives matter? Will you say, all lives matter, or will you make an argument for the movement?

Is Identity Politics tearing society apart? Why or why not?

I am interested to know what your ideas are.

 Let the discussion begin!

Queen’s Gambit Declined

Back during my Halcyon days when I was not half bad at chess my favorite opening with white was Pawn to King four. This is the old fashioned chess notation which is now known as e4. Now I learn the most popular opening is pawn to queen 4 (d4). Black’s usual response is d5 followed by white’s move to c4. This is what is known as the Queen’s Gambit. Black’s play is either Queen’s Gambit accepted or declined. Thought you would want to know.

Fun chess fact: In the 1927 match for the world championship between Alekhine and Capablanca the Queen’s Gambit declined was played 32 of the 34 games.

Beau Travail (1999)

Movie Blurb

Beau Travail (1999) Directed by Claire Denis. Starring Denis Lavant, Michel Subor, and Gregoire Colin. A brilliant retelling of Melville’s Billy Budd, only instead of a British frigate the action takes place in the desert on the Gulf of Djibouti near the Horn of Africa. Instead of sailors the men involved are soldiers in the French Foreign Legion. This is a movie about military discipline, routine, and codes of honor. A new recruit is introduced and tension develops with the second in command. There is not much of a plot or narrative arc but this is an extremely visual film and you get all you need to know from the visual story telling. The photography is spectacular.

There is an unmistakable undercurrent of homoeroticism swirling around just below the surface as Denis directs our gaze to the half naked young men going through their ritualist exercises and bonding together as in a slow moving ballet. It is an examination of military culture and the masculine mystique.

This movie can be seen on the Criterion Channel.

The Queen’s Gambit (2020)

TV Blurb

Anya Taylor-Joy as Beth Harmon

I just finished watching the series The Queen’s Gambit on Netflix, which just might be the best show on TV right now. I highly recommend it. Not only does it showcase the world of chess during the cold war years, it is a fascinating character study of its protagonist Elizabeth Harmon. She is a child prodigy raised in an orphanage, adopted by an eccentric mother and is a brilliant chess player driven to win. She also has a built-in self-destructive streak that she struggles mightily with. The actor who portrays Elizabeth Harmon, Anya Taylor-Joy is remarkable.

As I was watching the credits roll by after the last episode, I happened to notice the author of the novel the series was based on was Walter Tevis. Snap! I realized at that moment that I had actually read that book years ago. 1987 in fact. Tevis is quite a good writer who seems to like to write books about games. Several of his of his other books were turned into movies. Some quite notable and one an American Classic: The Hustler (1961) with Paul Newman and Jackie Gleason. The Color of Money (1986) also with Paul Newman. And one of my all-time favorites, The Man Who Fell to Earth (1976) with David Bowie. Not surprisingly, Tevis was raised in Kentucky and attended the University of Kentucky where he obtained a degree in English Literature. A nice little epiphany for me.

New Harmony, Indiana

Road Trip

New Harmony, Indiana is a great place for a weekend getaway. It is an easy two-hour drive from my home base of Louisville, Kentucky (135 miles).

Maureen and I set out about eleven am figuring to get there in time for lunch. Only made one wrong turn but, discovered my mistake quickly enough that it didn’t really result in any loss of time. Yes, I have GPS but I usually only consult it as a last resort. I like the challenge of finding places on my own after an initial consultation with the map. I seldom get lost but sometimes I am surprised by my destination. And Maureen was no help as she would be the first to admit she has no sense of direction and seemed to be proud of it.

Sara’s Harmony Way

So, there I was on my own with no navigator. Well, I always say, Id’ rather have a navigator than an alligator. But lucky for me, Maureen was neither of these things. She was a fine traveling companion and lover as well.  I had prepared a mix tape to listen to on our drive and we sang up every song we both knew and were in New Harmony before we knew it.

New Harmony is a small town, a village really, with a population of 850, situated on a stretch of the Wabash River. It was originally settled by a communal German religious group known as the Harmonists in 1814 wo attempted to create a Utopia. This worked for a while and then their leader, George Rapp, took them back to Pennsylvania, where they originated, in 1824. They sold the land to a socialist visionary named Robert Owen who believed in workers’ rights, an eight-hour work day, and communal living. Owen believed in a secular utopian socialism. He rechristened the community New Harmony in 1825. The Owenite community failed in the late 1820s.

The third utopia can be attributed to Jane Blaffer Owen (1915-2010). During her time in New Harmony she brought modern architecture to the town, such as the Roofless Church, the Atheneum and many public art pieces. She created serenity with Tillich Park, Church Park and the Cathedral Labyrinth and has left behind a legacy all her own.

While this is not a true Utopia, New Harmony truly is a unique experience. The village is very aware of its history and has done a good job in retaining its historical character and charm, and maintaining a state of genuine peace and tranquility. It features, public art and architecture, gardens, shopping, fine dining, a wonderful inn, live music, museums, a brewery, coffee shops, nature places, and an abundance of history.

AC Thomas House

So, like I said, we arrived right at noon, with the time change, just in time for lunch. I parked my car in front of the Bread and Breakfast where we were staying (The AC Thomas House) and we walked into to town. The first place we went was jammed packed so we made our way across the street to Sara’s Place. It is a coffee shop on one side and a pub on the other. We got into the long line to place our food order to the overworked barista and finally made our order. I had a panni and Maureen had a grilled cheese sandwich which is her “go to” choice in such situations. We carried our food out of doors to the patio, that’s when I noticed the pub. Say, I said, would you like something to drink? Sure, I’ll have a Hendrick’s gin and tonic, she said.  So, I marched back inside to place our drink orders only to discover they didn’t serve hard liquor, only beer and wine. So, I, ordered a Stella and beat feet out to Maureen to see if she wanted a wine. She declined. We had a pleasant lunch out there on the patio under the warmth of a golden sun.  A few minutes later her friend shows up with his daughter in tow and we make our acquaintances and exchange pleasantries. We are going to meet up with him and his partner later on that evening at the Red Geranium for dinner. Until then we were on our own.

Maureen

We walked around the town a bit and visited a couple of the unique shops along the way. Maureen bought something to wear for later on that night at dinner. We moseyed on back to the AC Thomas house to unload the car and get unpacked. Her friend was going to pick us up on his golf cart a little later and take us back to his house for drinks before dinner.

One of the many cute little shops in New Harmony. Visitors were masked and anonymous

Dan and John own an art gallery in town with many pieces of lovey art. We would visit their store tomorrow. Meanwhile it was drinks at their stately mansion on Main. Then we all piled onto their golf cart for the short ride to the Red Geranium for dinner. 

Time seemed to stand still in New Harmony

The Red Geranium is known for its fine dining and congenial atmosphere. We ate out on the terrace. Food was delicious and the company was solid. We had a lot of laughs as Maureen caught up with her friends. David and John were from Louisville and thy had just moved to New Harmony a few year ago to open their art gallery and to lead a more tranquil life with their daughter. They had started coming to the village as a weekend getaway and fell in love with the place and decided to move there permanently.

Maureen on the steps of the Bed and Breakfast where we stayed

After dinner we walked around the town a bit more. It was surprising how different everything looked after dark. Things took on a more sinister aspect and even the religious art had a pagan look to it. When we got back to the B&B we were exhausted. We quickly disrobed and climbed between the sheets and fell to sleep listening to the strains the mixtape I had prepared which I was able to play on my cell phone. The last thing I remember was Toni Braxton singing Unbreak My Heart before drifting off to La La Land holding Maureen tightly in my arms.

Art gallery owned by Maureen’s friends

Next morning, we were up bright and early as our hostess prepared our breakfast of coffee and quiche. It wasn’t bad but not as good as expected. Today we would explore the village a little more before heading back to Louisville. We walked out to the labyrinth and wandered around there for a while then we came back to town to visit John in the art gallery. Of course, I took copious amounts of pictures which I will now share with you, dear gentle reader.

Dinner at the Red Geranium

What’ll you have?
Maureen in her new outfit
Mysterious Fountain
Baal, Goddess of Darkness

As seen in the daylight….
Guardians of the Galaxy
Wicker Man
Peace, Tranquility, and Balance in New Harmony
Atheneum – Visitor’s Center
Wabash River
Cathedral Labyrinth
The Orpheus Fountain
the Lyre of Orpheus
Go with the Flow
Maureen at the Fountain of Orpheus
Sweet Little Angel
Angel Heart
On the Way to the Labyrinth
Atheneum – Visitor Center
Harmonist Labyrinth
Walking the Labyrinth
At the Center of the Labyrinth
Wait! Don’t go in there!
Beautiful Landscaping
New Harmony Bank Building
Ribeyre School Gymnasium – Main Street
John on his golf cart
Welcome to Indiana
New Harmony

The Two Truths

Buddhism by the Numbers

The Two Truths

According to Buddhism there are two kinds of truth: Relative Truth and Absolute Truth. We recognize the presence of happiness and the presence of suffering. One day we realize that suffering and happiness are “not two.”

  • Where ever there is joy there is suffering.
  • Suffering and joy are not two.
  • Our life is the path
  • We enter the path of practice through the door of knowledge
  • All conditioned things are impermanent. They are phenomena, subject to birth and death.

In the Discourse on the Turning of the Wheel of Dharma the Buddha taught the Four Noble Truths of suffering, the cause of suffering, the cessation of suffering, and the path. In the Heart Sutra, Bodhisattva Avalokiteshvara tell us there is no suffering, no cause of suffering, no cessation of suffering, and no path. Is this a contradiction? No. The Buddha is speaking in terms of relative truth and Avlakiteshvara is teaching in terms of absolute truth.

The Buddha recommends that we recite the Five Remembrances every day:

  1. I am of the nature to grow old. There is no way to escape growing old.
  2. I am of the nature to have ill-health. There is no way to escape having ill-health.
  3. All things dear to me and everyone I love are of the nature to change. There is no way to escape being separated from them.
  4. My actions are my only true belongings. I cannot escape the consequences of my actions. My actions are the ground on which I stand.

Waves

  • When we look at the ocean, we see that each wave has a beginning and an end.
  • If we look deeply, we can see a wave is made of water.
  • While living the life of a wave, it also lives the life of water. When a wave touches her true nature, which is water, all her complexes will cease, and she will transcend birth and death.
  • Liberation is the ability to go from the world of signs to the world of true nature.
  • What is essential is to be our best while we are here.
  • All formations are impermanent.

Based on the teachings of Thich Nhat Hanh

Photo credit: Benn Bell

The Painted Bird (2019)

Movie review

I don’t review every movie that I see, only those that I have a strong reaction to, good or bad. Had I seen The Painted Bird in 2019 when it was first released, it would have jumped to the top of my Top 10 list. As it stands, it is very high on my all-time best film list. A rare bird indeed.

The Painted Bird (2019) is a film by Vaclav Marhoul based on the novel by Jerzy Kosinsky. It runs just short of three hours and is unrelenting in its depiction of the horrors encountered by a young boy as he makes his way across war torn Eastern Europe trying to find his way back home. If it were not for the occasional modern references such as a plane flying overhead, or a vehicle on a road, we would think the action was taking place in villages found in the middle ages.

Central to the story was a starling that was painted white and released back into its flock only to be pecked to death because it was different from the others. This is the analogous to what happened to the boy who was subjected to unimaginable horrors along the way because he was different and didn’t quite fit in and wasn’t from around wherever he found himself to be. And one could say that is true of minor groups not fitting in to larger groups such the Jews of Eastern Europe and in Germany.

This is a movie of cruelty, inhumanity, and bitter truth. It is not an easy watch. As a matter of fact, when the film was shown in Venice large parts of the audience fled the theater. But the film has to be admired for the unvarnished truth it portrays and the artistry and craftmanship that went into its making. The acting is superb by all the participants. All the characters were believable and real. The crisp black and white cinematography by Vladimr Smutny is extraordinary. Each frame is composed as a masterwork of inspired creativity and shades of grey.

I can’t recommend this film to everyone due to its strong content, but it has my rating as an artistic achievement.

The Killers (1946)

Movie Blurb

Burt Lancaster

The Killers (1946) is a better than average film noir based on the Hemingway story of the same name. Starring Burt Lancaster as the prize fighter Ole ‘Swede’ Andreson, Ava Gardner as the femme fatale Kitty, and Edmond O’ Brien as the insurance investigator Reardon. Directed by Robert Siodmak. The first thirteen minutes are pure Hemingway and, in my opinion, the best part of the movie. The rest of the movie is quite good too, but that first part was very impressive. The rest of the movie is an expansion of the original Hemingway story and told in a series of flashbacks. Excellent performances by all, this was Lancaster’s first film and made him a star.

Ava Garner
The Killers