Fatal Attraction

Editors note: This is a story that I have previously published which I have rewritten and revised. I hope you enjoy it.

A few months ago, I had the good fortune to move to Old Louisville. As fate would have it, I moved into an apartment building on Third Street just four houses down from a house I used to live in as a young man during the turbulent ’70s. As a matter of fact, my family actually owned that building and sold it in 1993.

Fast forward to the present.

My friend Victoria was looking for an apartment and I have long been encouraging her to look in Old Louisville. It was a very interesting place to live with a lot of old Victorian Mansions which have been subdivided into apartments. And there was Central Park nearby.

One day she was over at my place and we went out apartment hunting together. She had several picked out over on Fourth Street to look at. It was raining so we took our umbrellas.

We walked down Hill Street over to Fourth and as we were about to round the corner, I noticed a “For Rent” sign in the front yard of a house that I had long admired. I called it the House of Lions and Pineapples. It was a beautiful three-story red brick Victorian with two stone lions and pineapples sitting outside the black wrought iron gate.

I said, “Why don’t you give them a call?”

She did and we were able to see it right then. They had just put it on the market and were in the process of cleaning it and painting it when we went in. Victoria fell in love with it immediately and I did too.

After looking at a couple of other places in the area Victoria decided that the house of pineapples and lions was the one for her, so we called the owner and asked for a meeting. Sure, come on over they said. They lived on Third Street, just a few doors down from where I am living now. They gave us their address and we headed over there.

“Hey! Wait a minute! What’s that address again,” I asked Victoria. “1461? Why I used to live in that house back in the ’70s.  As a matter of fact, my family owned that very building back then!”

When we got there and knocked on the door, a little old lady, round and short, answered the door. She was all smiles. I introduced myself and told her I used to live in this building back in the ’70s and wasn’t it ironic that we were here?

“Oh, did you know Dr. Bell?”

 “Why yes! I am his son!”

We sat down and had a nice talk. Joe and his wife Arden bought the house in 1993 from my parents. At that time, I was part-owner of the house myself and received some of the proceeds from the sale. Arden gave us a tour of the house.

“I bet it looks a lot different now than it did then,” she said.

Yep, it sure did!

So, there we were. My friend Victoria was about to rent an apartment from a couple who owned the house I used to live in when I was a kid but was sold to them in 1993, the same year she was born. What kind of alignment of the planets was necessary to bring us to this point? By what chance occurrences was Victoria destined to cross my path and rent this apartment in the building of the lions and pineapples?

It put me in mind of a story I once heard when I was living in Philadelphia.

It seems there was this college professor living in my building, The Marine Club Apartments, who sent his servant to the Italian Market for supplies.  In a very little while, the servant came back, shaking and trembling. It was clear he had been greatly disturbed by something that had happened at the market.

He said, “Mister Coffer, sir, just now when I was in the marketplace I was jostled by a woman in the crowd. I turned to look to see who it was and I saw it was Death staring me in the face.  She looked at me and made a threatening gesture. I ran from the market and came back here. Mister Coffer, will you please lend me your car so that I can ride away from this city and avoid my fate?  I will go across the river to Salem and there, Death will not find me.” 

The college professor gave him the keys to his Mustang, and the servant rode away as fast as the car could drive, not without leaving a stretch of burning black rubber behind him as he peeled out of the parking garage. Later that day the professor went down to the Italian Market and he saw Death standing in the crowd and he went over and asked her, “Why did you make a threatening gesture to my servant this morning when you saw him?”

“That was not a threatening gesture,” she said, “I was just surprised to see him in here in Philly, as I had an appointment with him tonight in Salem.”

Thomas Wolfe wrote in his book, Look Homeward Angel, “Through chance, we are each a ghost to all the others, and our only reality; through chance, the huge hinge of the world, and a grain of dust; the stone that starts an avalanche, the pebble whose concentric circle widen across the seas.”

Although chance may have something to do with our lives and though we might make a move this way or that we are still bound like an ant on a leaf rushing down a river to the sea. And there is precious little we can do about it but enjoy the ride.

Victoria rented the apartment and she is living there now one block away in the building of the lions and pineapples. And if you squint your eyes and hold your mouth in a certain way you can almost see the flapping wings of the butterfly in the rainforest that made it all possible.

The Barnes Foundation – Philadelphia

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On a recent trip to Philadelphia I had occasion to visit the Barnes Foundation with my friend Winter. This is a wonderful collection of art from around the world and from different time periods. It is housed in a magnificent building  that is an architectural wonder. The photographs in this post are my impression of my visit and in no way exhaustive of what I saw.

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The following information from the brochure will give you some more facts about the collection and the philosophy behind it. I must say I was not prepared for what I saw and my jaw was agape from the time I walked into first gallery until the last.

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Top Picture: Models. George Seurat, 1886-1888

The Barnes is home to a world-class collection of impressionist, and early modernist paintings, with especially deep holdings in Renoir, Cezanne, Matisse, and Picasso.  Assembled by Dr. Albert C. Barnes between 1912-1951, the collection also includes important examples of African Art, Native American pottery and jewelry, Pennsylvania German furniture, and wrought iron metalwork.

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The Card Players. Paul Cezanne, 1890-1892

The minute you walk into the galleries you’re in an experience like no other. Here you will find paintings by Vincent van Gogh, Henri Matisse, And Pablo Picasso, hanging next to ordinary household objects: a door hinge, a spatula, a yarn spinner. On one wall you might see a French medieval sculpture displayed with a Navajo textile. Dr. Barnes chose to combine objects from different cultures, genres, and times to create diverse displays he called “ensembles.”

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Bather Drying Herself. Pierre-August Renoir

These ensembles, each one carefully put together by Dr. Barnes himself, are meant to show the surprising similarities between objects we don’t normally thing of as belonging together. He arranged the works according to light, color, and space-principles that he called the “universal language of art.”

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Bathers in the Forest. Pierre-August Renoir, 1897

Dr. Barnes believed that art had the power to improve minds and transform lives. In 1922 he established the Barnes foundation as a school for learning how to see and appreciate art. He had a gallery built on Merion, a Philadelphia suburb, to house his growing collection. He held classes in the gallery so that students could learn directly from the art.

In 2012, after much controversy, his collection was moved to Philadelphia.

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Luncheon. Pierre-August Renoir, 1875

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Sailor Boy. Pierre-August Rodin, 1883

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Bather and Maid. Pierre-August Renoir, 1900-1901

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Woman with White Stockings. Gustave Courbet, 1864

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Before the Bath. Pierre-August Renoir, C. 1875

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Two Women Surrounded by Birds. Joan Miro, 1937

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Winter at the Barnes

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Studio with Gold Fish. Henri Matisse, 1912

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In the Galleries

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Leaving the Conservatory. Pierre-August Renoir, 1876-1877

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Girl with a Goat. Pablo Picasso

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The Music Lesson. Henri Matisse, 1917

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The Dance. Henri Matisse, 1932

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Mussel-Fishers at Bernal. Pierre-August Renoir

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Jean Hebuterne.  Amedeo Modigiani, 1919

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Two Standing Nudes. Jules Pascin, 1914

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Outside the Barnes

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Reflecting Pool Outside the Barnes

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Art on the Avenue

 

LOVE

Happy Valentine’s Day to all my fabulous Word Press friends!

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Love from Louisville

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Goddess of Love

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Amour From Philadelphia

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City of Brotherly Love

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Love from Big Lou

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Love from the Big Apple

Rude Kings

He looked on fabulous monsters, the twin beards and huge beast-bodies of Assyrian Kings, the walls of Babylon.

 -Thomas Wolfe, Look Homeward Angel

 

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Storefront, Philadelphia

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Storefront, Philadelphia

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Oriental Institute Museum, University of Chicago

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Oriental Institute Museum, University of Chicago

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Oriental Institute Museum, University of Chicago

All photos by Benn Bell

Appointment in Louisville

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Of Lions and Pineapples

A few months ago, I had the good fortune to move to Old Louisville. As fate would have it, I moved into an apartment on Third Street just four houses down from a house I used to live as a young man during the turbulent 70’s. As a matter of fact, my family actually owned that house and sold it in 1993. Fast forward to 2018.

My friend Victoria was looking for an apartment and I have long been encouraging her look in Old Louisville as it was a very interesting place to live with a lot of old Victorian Mansions which have been subdivided into apartments. And there was Central Park nearby.

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Victoria

One day she was over at my place and we went out apartment hunting together. She had several picked out over on Fourth Street to look at. It was raining that day so we took our umbrellas.

We walked down Hill Street to Fourth and as we were about to round the corner, I noticed a For Rent sign in the yard of a house that I had long admired. I called it the House of Lions and Pineapples. It was a beautiful three-story red brick Victorian home with two lions and pineapples outside in front and a black wrought iron gated entrance. I said, “Why don’t you give them call?”

She did and we were able to see it right then. They had just put it on the market and were in the process of cleaning and painting it when we went in. Victoria fell in love with it immediately and I did too.

After looking at a couple of other places in the area Victoria decided that the house of pineapples and lions was the one for her, so we called the owner and asked for a meeting. Sure, come on over they said. They told us their address and we headed over.

They lived on Third Street, just a few doors down from where I am currently living. What was that address again, I asked Victoria? 1461? Why I used to live in that house back in the 70’s.  As a matter of fact, my family owned that very building back then!

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The house on Third where I used to live

When we got there and knocked on the door a little old lady round and short answered the door. She had a big smile on her face. I introduced myself and told her I used to live this building back in the 70’s and wasn’t it ironic that we were here? Oh, did you know Dr. Bell? Why yes! I am his son!

We sat down and had a nice talk. Joe and his wife Arden bought the house in 1993 from my parents. At that time, I was part owner of the house myself and received some of the proceeds from the sale. Arden gave us a tour of the house. I bet it looks a lot different now than it did then, she said. Yep It sure did!

So, there we were. My friend Victoria was about to rent an apartment from the couple who own the house I used to live in but was sold to them in 1993 the same year Victoria was born. What kind of alignment of the planets was necessary to bring us to this point? By what chance occurrences was Victoria destined to cross my path and rent the apartment in the building of the lions and pineapples?

It put me in mind of a story I once heard when I was living in Philadelphia.

It seems there was this college professor living in my building who sent his servant to the Italian Market one day for supplies.  In a very little while the servant came back, shaking and trembling. It was clear he had been greatly disturbed by something that had happened at the market.

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Italian Market in Philly

He said, “Mister Coffer, sir, just now when I was in the marketplace I was jostled by a woman in the crowd. I turned to look to see who it was and I saw it was Death staring me in the face.  She looked at me and made a threatening gesture. I ran from the market and came back here. Mister Coffer, will you please lend me your car so that I can ride away from this city and avoid my fate?  I will go to Salem and there Death will not find me.”

The college professor gave him the keys to his Mustang, and the servant got in and rode away as fast as the car could drive not first without leaving a stretch of burning black rubber behind him as he pulled out of the parking garage. Later that day the professor went down to the Italian Market and he saw Death standing in the crowd and he went over, not afraid, and asked her, “Why did you make a threatening gesture to my servant this morning when you saw him?”

“That was not a threatening gesture,” Death said, “I was just surprised to see him here in Philly, as I had an appointment with him tonight in Salem.”

Thomas Wolfe wrote in his book, Look Homeward Angel, “The seed of our destruction will blossom in the desert, the alexin of our cure grows by a mountain rock, and our lives are haunted by a Georgia slattern because a London cut-purse went unhung. Through chance, we are each a ghost to all the others, and our only reality; through, chance, the huge hinge of the world, and a grain of dust; the stone that starts an avalanche, the pebble whose concentric circle widen across the seas.”

And although chance may have something to do with our lives and though we make a move this way or that we are still bound like an ant on a leaf rushing down a river to the sea.  And there is precious little we can do about it but enjoy the ride.

Victoria rented the apartment and she is living there now just one block away in the building of the lions and pineapples. And if you squint your eyes and hold your mouth in a certain way you can almost see the flapping wings of the butterfly in the rain forest that made it all possible.

Never Come Morning

BOOK REVIEW

While visiting the city of brotherly love I finished reading a novel about the city with the big shoulders. Of course I’m referring to Philadelphia and Chicago.

The novel was Never Come Morning and the writer was Nelson Algren.

Algren specialized in writing gritty tales of the denizens of Chigago’s underclass. For Algren, these individuals struggling to survive are all too human.

He wrote about the dregs of society, the convicts and the prostitutes as referred to in the Walt Whitman poem, Leaves of Grass: “I feel that I am all of them – I belong to those convicts and prostitutes myself, and henceforth, I will not deny them, for how can I deny myself.”

Never Come Morning is the story about a street gang of Polish American immigrant kids always scheming always getting into trouble with the law, fighting, robbing, raping, killing, whoring, pimping, and dealing with crooked cops.

There is a whole section where one of the characters is picked up on suspicion of shooting a drunk in an alley off Chicago Avenue. He ends up doing time in the workhouse or “workie” as it is referred to in the novel.

This would be “Lefty” Bruno Bicek, who has ambitions of becoming heavy weight champion not of Illinois but from Illinois. When he gets out of the workhouse he takes up pimping at a whorehouse accross the street from the Broken Knuckle Bar run by a Polish barber, another small time crook always looking for a fast buck. Leftie did nothing to help his girl friend, Steffi, when she was gangraped by the boys and this weighed heavily on his conscience throughout the rest of the novel. She ended up working for the barber as one of the girls in the whorehouse while he was in the workie.

Lefty’s big ambition is to win a title fight and get enough money to take Steffi away from all this misery. He gets his big chance in the last chapter of the book, “Toward Evening Lands.” Here, Algren describes a fight scene between Lefty and a black fighter called Honeyboy Tucker, the sons of a Polish baker and a mulatto pig sticker. Lefty is referred to as a white hope. This chapter contains one of the best descriptions of a boxing match I have ever read. The fight goes on for eight rounds. Two minutes and 48 seconds into the eighth, Lefty is declared the winner by a knockout.

“The bleachers howled like wind through an empty shack.”

But, the victory was short-lived however, as police captain Tenczara enters the dressing room and whispers into Lefty’s ear, “Got you for the Greek, Left Hander, two witnesses.”

Lefty was led out through the middle aisles in manacles.

“Knew I’d never get to be twenty-one anyhow,” he said.

He had won the fight but lost the battle.

Bell.

10 Things to do in Philly When Your Dead

Because when you’re in Philly it’s almost like being in heaven…

 

  1. Go to South Street
  2. The Continental Martini Bar
  3. Sabrina’s
  4. Germantown
  5. Mt. Airy
  6. Valley Green
  7. Chestnut Hill
  8. Silk City Diner
  9. The Italian Market
  10. Glenside

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St. Martin’s in the Field – Chestnut Hill

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In the midst of Summer I found a glorious Winter

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Philadelphia Cricket Club

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Philadelphia Cricket Club- Founded 1854

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Continental Martini Lounge

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Inside the Continental

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The Continental Interior

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Sabrina’s

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Huevos Rancheros – Sabrina’s

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Sabrin’a’s

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Italian Market

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Mural of Mayor Rizzo – Italian Market

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Molly’s Books and Records in the Italian Market

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The Italian Market

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Anthony’s in the Italian Market

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South Street

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South Street

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Dance Macabre on South Street

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South Street

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Lorenzo and Sons Pizza On South Street

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South Street Where You Can Always Get a Piece

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Manny Browns on South Street

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Silk City Diner

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Silk City Diner

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Silk City Diner

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The Comet in Glenside

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The Comet in Glenside

 

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Telling Stories at Keswick Coffee Shop in Glenside

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Chestnut Hill

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Hanging Out in Mt. Airy

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Having a Beer at a local brewery in Mt. Airy

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VALLEY GREEN

 

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Having Lunch with Winter at Valley Green

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Valley Green

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My Baby’s Crib in Germantown

 

 

 

 

 

Mystery

 

What mystery lies beneath the mist enshrouded tombs?

Palmer Cemetery 4 (3)

 

The dead die hard,  they are born astride a grave

Palmer Cemetery 1

A stranger’s shadow finds its way across the yard by dead reckoning

He meets a deadend

He is deadbeat meat for worms

That’s a sensible cadaver

Palmer Cemetery 4 (1)

There never was such a season for mandrakes.

Shall we linger here until perdition caches up to us?

The Cemetery is a cockpit for comic panic

Sob heavy world, sob heavy.