Jimmy Can’t Dance

Jimmy Can’t Dance is a Jazz and Blues club located in beautiful downtown Louisville, Kentucky on 7th street.

My young friend Victoria and I Ubered our way down there to drink with the grown-ups  and listened to the jazz. Nate Lopez and his Eight String were playing for our listening enjoyment and I must say they exceeded our expectations.

Jimmy Cant dance

So when I ordered our drinks I asked the girl back of the bar would it be OK to teach Jimmy to Dance? She said no, I didn’t say Jimmy didn’t know how to dance, I said Jimmy can’t dance. There’s a difference. That got me to thinking, why can’t Jimmy dance? Maybe Jimmy got no legs. Maybe Jimmy dead. Maybe Jimmy just don’t exist. That’s what I said. But one thing’s for sure. Jimmy can’t dance. But he sure plays a mean eight sting guitar!

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Nate Lopez and Nioshi Jackson

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Nate Lopez

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Honey Grace

 

 

Isn’t Life Ironic?

Once upon a time, not long ago, I took my young friend Victoria to see Bonnie Rait at the Louisville Palace. While waiting in line to get in we stood outside next to a picture of Tony Bennett who had been a featured performer at the Palace in the past.  I remarked to Victoria that I had seen Tony Bennett at the Palace back before she was even born.

She looked up at me with her smiling eyes and said, “Isn’t life ironic?”

 

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The Palace Theater

Bonnie Rait

Bonnie Rait

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Victoria Meadows

 

 

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Tony Bennett

Suspiria (2018) Movie Review

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Not really a horror fan but every once in a while one will catch my fancy. Suspiria (2018) is just such a film. It is, I would say, a notch above the rest. Maybe two notches. It has everything going for it. Great writing, directing, acting, music, dance, costuming, art direction, and social consciousness. It has been described as an extraordinary work of art, grotesque, and savagely beautiful. Others have called it pretentious drivel. But, hey, it’s horror film. What do you want? At least it’s very artsy drivel!

Directed by Luca Guadagnino, it is a reimagined version of the original Suspiria (1977), a horror film cult classic, directed by Dario Argentento, which I must say I haven’t as yet seen, but I plan too as soon as possible. This version, at 152 minutes, is 54 minutes longer than the original. So, it is not only reimagined it is also greatly expanded as well. Coming in at just under three hours is pretty long for a movie, but I must confess, I didn’t notice it at all, as I was totally engrossed for the entire time.

Suspiria

The setting of the film is in divided Berlin in 1977, when the Baader-Meinhof Group was perpetrating terrorist acts all over the city. Rain drenched Berlin and the memory of the Third Reich hang over the Markos Dance Academy which is ruled by artistic director Madame Blanc (Tilda Swinton) and the grand dame Helena Markos. Patricia, a young student at the academy is convinced that the place is being run by a coven of witches. She tries to convince her psychoanalyst, Dr. Klemperer, who thinks she is delusional and so writes in his notebook. She disappears. Another dancer, Susie Bannion (Dakota Johnson) arrives on the scene fresh off a farm in Ohio. She auditions for a place in the Academy and greatly impresses Madame Blanc who immediately slates her as lead performer in her masterwork, “Volk.” During her audition, another dancer (Olga) who stormed out over a disagreement is trapped on a floor below in a mirrored rehearsal hall and is banged around and contorted with each dance move Susie makes until she is a pile of broken bones and a puddle of urine and saliva. One of the more horrible set pieces.

Dakota

This film is a feminist manifesto after a fashion about the empowerment of women. Other than the two cops who are sent to investigate the disappearance of Patricia, there are no other male actors in the movie, Lutz Ebersdorf not withstanding. If you are not in on the joke, I won’t spoil it for you here. The women cast a spell on the detectives and humiliate them unsparingly while at the Academy, then wipe their memories once they return to the station.

Thom Yorke from Radiohead provides a hauntingly throbbing soundtrack to the horror which accompanies the dance routines. The film incorporates stylized dance sequences choreographed by Damien Jalet. Volk is a dance created at the Academy that featured Blanc in the original role of the protagonist, the part Susie was auditioning for when she turned Olga into a human pretzel earlier in the film. And it’s actually based on a performance Jalet choreographed in 2013, called Les Meduses, that was staged at the Louvre.

The title of the film Suspiria, means sigh, as in the sighing of pain, or suffering.

Tilda Swinton alone is cause enough to want to see this remarkable film. She plays three characters each of which represents an aspect of the human psyche – the id, the ego, and the superego.

Tilda

This movie is not for everyone. Not for the squeamish nor the faint of heart. But if you like a good horror show, one that makes you think, and is well crafted, and beautiful to look at and listen to, then I recommend Suspiria.

A STAR IS BORN

A Stra is Born

Who needs another remake? It turns out we do. As a rule, I generally eschew remakes. In this case I made an exception. The trailer looked good so I gave it a chance. And friends, I am glad I did. This film is fresh and original in its interpretation. Bradley Cooper proves himself an adept director and makes a lot of smart choices in the presentation of this material. Lady Gaga is a wonder. The thing about Gaga for me has been she always wears a mask and we never get to see the real person behind the persona. Here we do. A very satisfying portrayal of an insecure character with a lot of personality and a load of talent.

Bradley Cooper is very good as the alcoholic country rock star who is in decline and fighting his own demons. The chemistry between the stars is palpable and their love story believable.

I liked the camera work and the production values are superb. It’s not an unqualified success, but Bradley Cooper hits this one out of the ball park. Two thumbs way up!

The Passion of Joan of Arc (1928)

Movie Review

Joan of Arc poster

La passion de Jeanne d’Arc (original title) is a silent film that was directed by Carl Theodor Dreyer. I was motivated to watch this film as it was referenced by Paul Schrader as an example of transcendental film style in his book, Transcendental Style in Film:  Ozu, Bresson, Dreyer, and in recent interviews he has given about his latest film, First Reformed (2017). I wanted to see first-hand what this style of film looked like.

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In 1431, Jeanne d’Arc was placed on trial on charges of heresy. The church attempted to force Jeanne to recant her claims of holy visions. They tried various forms of coercion and threatened her with torture. Finally, in a moment of weakness, she confesses, but later in her jail cell she recants her confession and is then burned at the stake as a witch.

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There is transcendence here as Jeanne is in touch with God or rather He her. She has been sent on a mission by God to run the British out of France. Jeanne hears the voice of God talking to her but this not believed by the clergy who accuse her heresy.

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Jeanne d’Arc was a peasant girl living in medieval France who believed that God had chosen her to lead France to a victory in its long running (100 years) war with England. She convinced Prince Charles, who was later to be crowned King Charles of France, to allow her to lead a French army to the besieged city of Orleans where she won a decisive victory over the British. She was later captured by British forces and tried for witchcraft and heresy and subsequently sentenced to be burned at the stake. She was 19. From that moment on she was known as the Maid of Orleans. Jeanne d’Arc was canonized as a saint in 1920. In all there were 70 charges lodged against Jeanne for witchcraft, heresy, and dressing like a man. She was burned for dressing like a man, the most unpardonable sin of all, which according to the Bible was an abomination to the Lord.

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The film is considered to be a masterpiece of the cinema and I readily agree. It is shot largely in close-ups in crisp black and white against stark gray background. It is silent but the version I saw was accompanied by a musical score that was created for the movie in 1994 called Voices of Light composed by Richard Einhorn. It is an astonishing piece of work and is very effective in driving the action and setting the mood. I would, however, like to watch the movie sometime in silence as that is the way Dreyer intended it to be seen.

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The story is mainly told through the range of expressions on the faces of the characters as Jeanne suffers the agony of the trial. The camera work consists of low angle shots and high contrast lighting which made the faces priests and other interrogators look all the more grotesque. Jeanne, in contrast, was shot in soft even lighting. The character of Jeanne was played by Renee Jeanne Falconetti. Roger Ebert said in his review, “You cannot know the history of silent films unless you know the face of Renee Jeanne Falconetti.”

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Based on the actual record of the trial of Jeanne d’Arc the entire film was shot in continuity. It depicts the suffering of Jeanne as she is tormented, humiliated and finally burned alive at the stake. This is the Passion of Jeanne which mirrors the passion of the Christ. Jeanne screams out in agony at the end of the film, “Jesus!”

Dryer presents this film as the triumph of the human spirit over the trials and tribulations of life experience.  He strives for new forms of expressionism as he focuses on the visual expressions of the human face.

My original motivation, as I stated earlier, was to view this film from an academic point of view in order to learn more about transcendental style, but I came away more enriched for having had the experience.

 

 

 

 

 

 

Red Desert (1964)

Movie Blurb

Red Desert

Il Deserto Rosso was Michelangelo Antonioni’s first foray into color and a painterly palette did he choose. He explores the themes of alienation in the modern world and the divorce between reality and spirituality. His scenes of industrialized post war Italy are both beautiful and frightening. Progress comes with a cost. Monica Vitti is extraordinary as the wife of the plant manager who suffers a mental breakdown in the face of modernity.

I rate this movie 8/10.

Garvin Gate Blues Festival

Photo Essay

The Garvin Gate Blues Festival is held the second weekend in October in historic Old Louisville. It’s a two day festival featuring performers both national and local that celebrates blues music. This event attracts both a multiracial and a multi-generational crowd.  It has a 29 year history and is still going strong.

Featured here is the band Tweed Funk hailing from Milwaukee.

Bikers, Booze, and Blues

Garvin Gate Neighborhood

Pet Friendly

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Tweed Funk

Smokey Holman

Andrew Spada

Eric Madunic

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Dave Schoepke

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A Face in the Crowd

 

ORANGE BLOSSOM SPECIAL

The day I met Johnny Cash

Johnny Cash At Newport

One evening in the bleak December back in the 1970’s I was sitting in one Louisville’s famed dens of iniquities, Rhiney’s Go Go Bar and Lounge. The Rick Hipple Duo was playing for our listening enjoyment. Rick Hipple was on the the organ and sang vocals while his partner Lou Stanfield played the drums. I was there with my girlfriend, Lynn of the pretty green panties.

The band had just finished playing a rousing version of Dixie, Of course back in those days whenever a band played Dixie everyone stood up took off they hats and put their hands over their hearts.

Lynn and I had just re-seated ourselves and I was trying to get the waitress’s attention for another round of drinks when the door of the establishment flew open and out of the cold night a man dressed in black and a whole entourage of people trailing behind him filed into the bar.

The man in black approached the bandstand and wrestled the microphone away from ole Rick Hipple and said into the mic with a bit of a slur, “Hi, I’m Johnny Cash, how do you do!”

He looked back at the astonished face of Rick Hipple and said, “Orange Blossom Special,” which Rick commenced to playing.

Now these were the days before Johnny was acquainted with June Carter which is to say he was still a pretty wild character. And that character was on full display that night. He was all liquored up on that roadhouse corn and he stood there swaying in the spotlight slurring his words and trying his best to get through that song.

“Well, I’m going down to Florida and get some sand in my shoes…”

Well, that was the night I met Johnny Cash. A night I will never forget.

 

 

 

 

EXPERIENCE HENDRIX

Are You Experienced?

Lot’s of serious guitar playing going on at last nigh (3/19) at the Jimi Hendrix tribute tour at the Louisville Palace, in the heart of beautiful downtown Louisville, Kentucky just blocks away from Positively Fourth Street.

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All the old familiar tunes like Hey Joe, All Along the Watch Tower, and Purple Haze were on display for an adoring audience. Some of the biggest names in Show Biz were there to cut some mean licks and shake up the bricks.

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Buddy Guy

80 year old, down by law, Buddy Guy was there. He was a major influence on Hendrix as well as Eric Clapton and Stevie Ray Vaughn. Buddy Guy is a six time Grammy winner and is ranked #23 best guitar player of all time by Rolling Stone.

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Beth Hart and Kenny Wayne Shepherd

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Beth Hart and Johnny Lang

Beth Hart was the whole reason I went to this concert. She has already stolen my heart and damned if she didn’t steal the show. Blues Magazine once dubbed Beth Hart as the Ultimate Female Rock Star. But to me she is the best blues singer this side of Blue Heaven.

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Zakk Wylde is a former Ozzy Osborne band member and now solo artist and master guitarist.

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Ana Popovic

Of all the things I have ever done in my life I don’t think there has ever been anything quite so exciting as attending a live musical concert.

Excuse me while I kiss the sky….