Judas and the Black Messiah (2021)

Movie Review

LaKieth Stanfield in Judas and the Black Messiah

Directed by Shaka King, starring: Daniel Kaluuya, LaKief Stanfield, Jessie Plemons.

Judas and the Black Messiah (2021) is an important movie about a chapter of the Black Panthers in Chicago and the charismatic leader who led it, Fred Hampton. Part documentary and part bio-pic it delivers a history lesson on that volatile period in America when race relations were at an ebb. It is an interesting juxtaposition of events to the events happening today when once again the tension between the races is at a snapping point. The organization Black Lives Matter draws eerie parallels to The Black Panther Party.

The Messiah in this case is Fred Hampton, played by Daniel Kaluuya in a resplendent performance. Two other black messiahs who came before him were scarified on the altar of white supremacy, Martin Luther King and Malcom X. His betrayer, or the Judas of the title, is FBI informant William O’Neal (LaKieth Stanfield) who infiltrated the Black Panthers and gained the trust of Hampton. It was O’Neal who provided the layout of the apartment to the FBI which was crucial information that led to his assassination by the FBI and the Chicago police.

When law enforcement entered the apartment on Monroe Street where Fred was sleeping guns blazing, I was put in mind of the Breonna Taylor case where Louisville police officers entered her apartment while she was asleep on a “no knock” warrant and assassinated her. Police brutality and extra-judiciary killing continue to be a problem for the black community to this day.

Fred Hampton’s rhetoric was indeed inflammatory but he never actually declared war on the United States. He merely threatened the status quo. FBI director J. Edgar Hoover wanted get rid of Hampton because  he thought the rise of another black messiah would unify and electrify the militant nationalist movement. Fred Hampton was an upstart crow, but he didn’t deserve to die. The FBI now has other fish to fry with the rise of white nationalism, which poses an even graver threat to American security.

LaKieth Stanfield was excellent as the informant William O’Neal delivering a nuanced performance of an underwritten part. Dominique Fishback as Deborah Johnson, Hampton’s coworker and eventual lover I thought was particularly good and Jesse Plemons as the baby-faced FBI agent who compromised O’Neal into betraying Hampton, played his part with equal parts menace and moral queasiness.

Excellent movie. Highly recommend!

Rude Kings

He looked on fabulous monsters, the twin beards and huge beast-bodies of Assyrian Kings, the walls of Babylon.

 -Thomas Wolfe, Look Homeward Angel

 

20190210_0855365953444113482142231.jpg

Storefront, Philadelphia

dscn03964359097956170590068.jpg

Storefront, Philadelphia

chicago nikon 2016 (21 of 109)1980903685865128348..jpg

Oriental Institute Museum, University of Chicago

chicago nikon 2016 (19 of 109)3396486877660146139..jpg

Oriental Institute Museum, University of Chicago

chicago nikon 2016 (15 of 109)2554053235003874217..jpg

Oriental Institute Museum, University of Chicago

All photos by Benn Bell

Never Come Morning

BOOK REVIEW

While visiting the city of brotherly love I finished reading a novel about the city with the big shoulders. Of course I’m referring to Philadelphia and Chicago.

The novel was Never Come Morning and the writer was Nelson Algren.

Algren specialized in writing gritty tales of the denizens of Chigago’s underclass. For Algren, these individuals struggling to survive are all too human.

He wrote about the dregs of society, the convicts and the prostitutes as referred to in the Walt Whitman poem, Leaves of Grass: “I feel that I am all of them – I belong to those convicts and prostitutes myself, and henceforth, I will not deny them, for how can I deny myself.”

Never Come Morning is the story about a street gang of Polish American immigrant kids always scheming always getting into trouble with the law, fighting, robbing, raping, killing, whoring, pimping, and dealing with crooked cops.

There is a whole section where one of the characters is picked up on suspicion of shooting a drunk in an alley off Chicago Avenue. He ends up doing time in the workhouse or “workie” as it is referred to in the novel.

This would be “Lefty” Bruno Bicek, who has ambitions of becoming heavy weight champion not of Illinois but from Illinois. When he gets out of the workhouse he takes up pimping at a whorehouse accross the street from the Broken Knuckle Bar run by a Polish barber, another small time crook always looking for a fast buck. Leftie did nothing to help his girl friend, Steffi, when she was gangraped by the boys and this weighed heavily on his conscience throughout the rest of the novel. She ended up working for the barber as one of the girls in the whorehouse while he was in the workie.

Lefty’s big ambition is to win a title fight and get enough money to take Steffi away from all this misery. He gets his big chance in the last chapter of the book, “Toward Evening Lands.” Here, Algren describes a fight scene between Lefty and a black fighter called Honeyboy Tucker, the sons of a Polish baker and a mulatto pig sticker. Lefty is referred to as a white hope. This chapter contains one of the best descriptions of a boxing match I have ever read. The fight goes on for eight rounds. Two minutes and 48 seconds into the eighth, Lefty is declared the winner by a knockout.

“The bleachers howled like wind through an empty shack.”

But, the victory was short-lived however, as police captain Tenczara enters the dressing room and whispers into Lefty’s ear, “Got you for the Greek, Left Hander, two witnesses.”

Lefty was led out through the middle aisles in manacles.

“Knew I’d never get to be twenty-one anyhow,” he said.

He had won the fight but lost the battle.

Bell.

PICASSO

Genius Loves Company

sam_12839156379270173077189.jpg

Picasso Exhibition at the Grand Palais in Paris

SAMSUNG CAMERA PICTURES

Picasso Mania

img_20180616_082411_2788236782592664842559.jpg

The Studio, Currently on display at the Speed Art Museum in Louisville, Kentucky

chicago nikon 2016 (68 of 109)2359876121726851057..jpg

Untitled Picasso Sculpture in Daley Plaza in Chicago

chicago nikon 2016 (70 of 109)6015039744838642560..jpg

chicago nikon 2016 (73 of 109)-14930531272199454157..jpg

chicago nikon 2016 (74 of 109)7315901352432856800..jpg

36230498010_3c4c866617_o

Woman, Chicago Art Institute

Photo:  Benn Bell  Sculpture:  Picasso  Model: Ginger Bell

All Photos by Benn Bell

FORCE MAJEURE

beth-hart-2015-promo-650

Beth Hart was a force majeure at last night’s (9/21/2016) concert at Park West in Chicago.

parkwest-3

She is a power house of a singer with a voice that puts you in mind of Janis Joplin.

beth-hart-2

She connects with her audience, obviously likes to perform and is passionate about her art and life.

beth-hart-images

Her signature song, “I’d Rather Go Blind” was worth the price of admission alone.