Every Picture Tells a Story

The Real Lives Behind the Lens and the Pen

In the quiet corners of everyday life, ordinary people often find themselves immortalized in ways they never imagined—through the viewfinder of a photographer or the ink of a writer’s pen. Whether captured candidly in a photograph or reimagined as a character in a story, these individuals unknowingly lend their lives to art. They become more than just passersby or background figures; they transform into muses, metaphors, and living echoes of human experience.

For photographers, the world is a living gallery of moments waiting to be captured. A weathered man sitting on a park bench, the way light dances across a child’s laughing face, or the tension etched into the shoulders of a woman walking alone—each scene is a potential story. Often, the subject has no idea that they have just stepped into the pages of a visual playbook. Their gestures, expressions, and the energy they radiate become a part of something greater—a reflection of mood, culture, or emotion. The photograph freezes their reality and elevates it into art.

Writers, on the other hand, weave people into narrative form. A conversation overheard on a train, a barista’s nervous smile, or an old friend’s resilience in grief—these fragments of life often become seeds of inspiration. The people we meet or merely observe become the blueprints for characters, sometimes in exact likeness, sometimes stitched together from multiple souls. Writers borrow bits of reality to create fiction that feels true. In doing so, they honor the people who left a mark, however briefly.

But this transformation from real life into art raises questions of representation and authenticity. Do we owe something to the people who unknowingly inspire us? Can we ever truly separate observation from invention? Photographers and writers alike walk this fine line, striving to capture truth while also interpreting it through their own lens of feeling and intent.

There is something sacred in this quiet transaction between life and art. Most people will never know they’ve been captured in a fleeting frame or mirrored in a fictional life. But perhaps that is part of the beauty. Their existence, however small in the context of a wider story, becomes part of a legacy—proof that the ordinary is worth remembering. They live on not as anonymous figures, but as meaningful presences in someone else’s vision.

Ultimately, art imitates life not just in grand gestures, but in the subtle details of everyday existence. The people we pass on sidewalks, sit beside in waiting rooms, or share a moment of silence with in elevators—these are the characters of our collective narrative. Photographers and writers are merely the witnesses, the translators. And through their work, these real lives continue to speak.

The Hard Problem: Consciousness

I have been thinking a lot lately about the hard problem, consciousness. I have been reading about it, watching videos, and listening to podcasts. Recently, I listened to a podcast with Annaka Harris and her husband, Sam Harris. First off, I didn’t know they were married. That was a pleasant surprise. I had previously watched a video with her on Big Think where she talked about consciousness as a “felt” experience. This has given me a pause. I had always thought of consciousness as an “awareness” of experience. I decided to do a little research. Turns out we were both right, as the following explanation describes it.

Consciousness is both felt and an awareness, depending on how you approach it.

Felt Consciousness (Qualia)

From a subjective, first-person perspective, consciousness is felt—we experience emotions, sensations, and thoughts directly. This is what philosophers call qualia, the raw, subjective feel of experience (e.g., the redness of red, the warmth of sunlight, the taste of coffee). This aspect of consciousness is what makes it deeply personal and difficult to explain purely in physical terms.

Consciousness as Awareness

On the other hand, consciousness is also an awareness, meaning it involves cognition, perception, and the ability to recognize oneself and the environment. This definition aligns with how many neuroscientists and cognitive scientists approach consciousness—as a state of being aware of internal and external experiences. This awareness allows us to think, reflect, and make decisions based on our perceptions.

Blending the Two

While consciousness involves feeling (subjective experience) and awareness (cognitive recognition), the two are deeply intertwined. Some theories suggest that the ability to reflect on our own experiences (metacognition) gives rise to our rich inner life. Others argue that raw feeling, without structured awareness, is still a form of consciousness (as seen in dreams or deep emotions).

So, in essence, consciousness is both felt experience and awareness—two sides of the same phenomenon.

The City and Its Uncertain Walls

Book Review

“The City and Its Uncertain Walls” by Haruki Murakami is a richly imagined and thought-provoking narrative that explores the themes of isolation, identity, and the complexities of urban life. This is a take-off from another of his novels, “Hard Boiled Wonderland and the End of the World”. If you drill deeper into the history of this novel, you will find a short story or novella that Murakami wrote early in his career that he was unsatisfied with.  I think he may have achieved perfection with this latest iteration.

In this book, Murakami masterfully constructs a labyrinthine cityscape that serves as a mirror to the inner worlds of its inhabitants. The protagonist, whose name remains undisclosed, journeys through this enigmatic urban sprawl, encountering a myriad of characters who each add a layer of complexity to the narrative. Their stories intertwine, creating a tapestry of human experience that is as fragmented as it is compelling.

The protagonist’s quest for meaning and connection is punctuated by encounters with figures such as a reclusive artist, a disillusioned academic, and a mysterious woman who seems to hold the key to the city’s secrets. Each of these individuals grapples with their own existential dilemmas, reflecting the broader themes of isolation and identity that pervade the novel.

Murakami’s prose is both lyrical and haunting, imbuing the city with a sense of melancholy beauty. The walls that encircle the city are not just physical barriers, but also metaphors for the psychological and emotional confines that the characters must confront. The walls seem to be alive and have a life of their own as they change slightly from day to day and represent for me a sense of consciousness. They are interior walls as well.

The novel is essentially a ghost story. We don’t realize this until we are well into the narrative. Murakami is a master of magical realism, and he refers to the magical realism of Gabriel Garcia Marquez in his telling of the tale.

Through the struggles of the various characters, the narrative probes into what it means to seek freedom and understanding in a world that is perpetually uncertain.

Some authors’ voices are missed when absent for a while. Murakami is one such author. I return to him again and again.

Nothingness

Anguish is the apprehension of nothingness.

Vertigo is the anguish not of falling over a cliff

but the thought of throwing oneself over.

What should I do?

Throw me off a bridge or jump out a window?

Decisions. Decisions.

Perhaps I’ll fly a kite instead.

Stop Elon Musk

I recently attended a Stop Elon Musk Rally at the IBEW Local Union Hall here in Louisville, Kentucky.

There were many speakers there including Kentucky Congressman Morgan Mc Garvey who spoke out against Musk.

The crowd was quite energized and gave me hope that we might prevail against the tyrants who would dismantle our government and destroy our democracy.

The main takeaways were the three pillars of dissent: Litigate, Legislate, and Agitate.

It is said that when Fascism comes to America it will be wrapped in a flag and carrying a bible.

Congressman, Morgan McGarvey

All photos by the author.

Turtles All the Way Down

William James was giving a lecture about the nature of life and the universe. Afterward, an old woman came up to him and said, Professor James, you have it all wrong.”

“How so, madam?”

“Things aren’t at all like you said.” The world is on the back of turtles.”

“Hmm,” mused the professor. “That may be so, but where does that turtle stand?”

“On the back of another turtle.”

“But, madam, where does that turtle stand?”

The old woman replied triumphantly, “It’s no use, professor, it’s turtles all the way down!”

Cold Day in Louisville

So, I went to Bob’s Pub in J-Town for a meeting last night. I had the Fish and Chips. They gave me a sandwich and some potato chips. Not what I was expecting but the fish was good. I ordered An Old Forester on the Rocks, but they were out of it but did have the premium label for a few dollars more, would I want that? Sure I said. When it came time to pay, I discovered I had forgotten to bring my wallet. I asked my friend Bob to cover for me which he did. How much was it? I asked. How much do you want to tip, Maggie asked. I always tip 20% I said. Bob said he always tipped 25%. Well, that’s pretty generous, I quipped, but go ahead, How much do I owe you? $50.00 he said. OK, I’ll pay you on Monday night the next time I see you. At about that time, I realized I had my wallet. It was in my left pocket instead of my right pocket where I usually keep it. Here, I say, I have my wallet after all. I’ll go ahead and pay. I already paid, said Bob. OK. I’ll pay you. Do you have a 10? So, I forked over three 20s and he gave me back a 10 and we were square. When I got home, I was telling Lula what happened, and she said you are slurring your words. How many drinks did you have? Three, I said. 100 proof? she asked. Maybe. Maybe. Then she said $50.00?!? Like I had done something wrong. Well, it must have been the drinks, I said. Anyway, another cold night in Louisville, Kentucky.  

Timequake by Kurt Vonnegut

A book review

Timequake is a novel about free will. Vonnegut freely intersperses throughout the novel his own stream of consciousness. Oh, and there is also his alter ego, Kilgore Trout, who exclaims, “Oh Lordy, I am much too old experienced to start playing Russian Roulette with free will again.”

The premise of Timequake is that a Timequake, a sudden glitch in the time-space continuum, made everybody and everything do exactly what they’d done during the past decade a second time. It was déjà vu all over again for 10 years. The timeframe Vonnegut chose was February 13, 2001 – February 17, 1991. The Timequake would zapp everyone back in an instant to 1991. They had to “live” their way forward to 2001. Or you might say, back to the future again. Only when people got back to 2001 did they stop being robots of their past. Kilgore Trout would say, “Only when free will kicked in could they stop running an obstacle course of their own construction.” Free will. That is what the novel is about. Do we have it or not? That is the question. You would think that because the author mentions “when free will kicks back in” some 20-odd times he was arguing for free will. But no! Not so fast!  I’m not so sure.

Other pithy comments by Kilgore Trout would include, “If brains were dynamite, there wouldn’t be enough to blow your hat off!” and “Ting-a-ling, you son of a bitch!” which is the punch line to a variation on a joke having to do with Chinese doorbells.

So, it goes.

Vonnegut goes on to say, in his own peculiar voice, that writers of his generation had reason to be optimistic because of things like the Magna Carter, the Declaration of Independence, the Bill of Rights, The Emancipation Proclamation, and Article XIX of the Constitution giving women the right to vote. He advocated for two more amendments that he would like to add: Article XXIII: Every newborn shall be sincerely welcomed and cared for until maturity. And Article XXIX: Every adult who needs it shall be given meaningful work to do at a living wage.

Another pithy saying he was fond of throwing around was, “I never asked to be born in the first place!”

Photo by the author.

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